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authorjulian laplace <julescarbon@gmail.com>2025-07-12 15:46:26 +0200
committerjulian laplace <julescarbon@gmail.com>2025-07-12 15:46:26 +0200
commit5bf2ab915166fb8641748ef11052fb12606a1459 (patch)
treee78b131c0d1b60a1f9e227ebe57e180fa109d627 /index.html
parent46023070fc3508f4992f725ae8c632d7466d43e5 (diff)
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@@ -214,7 +214,7 @@
<h1>Triangle / Lambdoma</h1>
<p>
- This instrument uses fractions to make a wide palette of just
+ This instrument uses basic fractions to make a wide palette of just
intonation intervals available all at once.
</p>
@@ -370,17 +370,18 @@
shows it next to a grid of whole-number fractions, and demonstrates
how one can use these ratios to find specific intervals. I had never
seen just intonation demonstrated so elegantly, so I made this page to
- explore the concept interactively.
+ explore the concept.
</p>
<p>
I later learned that I had constructed the "lamboid diagram" or
Lambdoma, named for its resemblance to the Greek letter Lambda Λ. The
- synergy of color and sound in the Lambdoma, linking the octave to the
- color wheel, was studied in depth by artist and sound practitioner
- <a href="https://www.lambdoma.com/">Barbara Hero</a>. Hero made the
- Lambdoma her life's work, and built an 8x8 electronic Lambdoma
- instrument for sound healing purposes.
+ synergy of color and tone, linking the octave to the color wheel,
+ seemed intuitive, and revealed a beautiful pattern. This pattern had
+ earlier been uncovered by artist and sound practitioner
+ <a href="https://www.lambdoma.com/">Barbara Hero</a>, who built an 8x8
+ electronic Lambdoma instrument for sound healing purposes, using the
+ same pattern of colors.
</p>
<p>
@@ -405,7 +406,7 @@
href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0385%3Astephpage%3D1027b"
>Plutarch</a
>
- in his commentary on Plato's <i>Timaeus</i>. It was
+ (ca. 100 CE) in his commentary on Plato's <i>Timaeus</i>. It was
<a
href="https://archive.org/details/bsb10527783/page/137/mode/1up"
target="_blank"