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| author | julian laplace <julescarbon@gmail.com> | 2025-07-10 12:46:44 +0200 |
|---|---|---|
| committer | julian laplace <julescarbon@gmail.com> | 2025-07-10 12:46:44 +0200 |
| commit | 46023070fc3508f4992f725ae8c632d7466d43e5 (patch) | |
| tree | 080c4aedf57dc519dddd7de2ff46ec2a7f007e7c /index.html | |
| parent | 653f2df8c8b848578829edcd3ef5fec1795eff84 (diff) | |
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Diffstat (limited to 'index.html')
| -rw-r--r-- | index.html | 13 |
1 files changed, 7 insertions, 6 deletions
@@ -405,16 +405,17 @@ href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0385%3Astephpage%3D1027b" >Plutarch</a > - in his commentary on Plato's <i>Timaeus</i>. It has been rediscovered - several times, including in the 19th century by Albert von Thimus, who + in his commentary on Plato's <i>Timaeus</i>. It was <a href="https://archive.org/details/bsb10527783/page/137/mode/1up" target="_blank" - >depicts it</a + >depicted</a > - in - <i>Die harmonikale Symbolik des Alterthums</i> (1876). The Lambdoma - was also used by mathematician Georg Cantor in his theory of + in the 19th century by Albert von Thimus in the neo-Pythagorean + treatise + <i>Die harmonikale Symbolik des Alterthums</i> (1876) which connects + musical intervals to other harmonic relationships in nature. The + Lambdoma was also used by mathematician Georg Cantor in his theory of transfinite sets (see below). More information can be gleaned from Hero's <a |
