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authorjulian laplace <julescarbon@gmail.com>2025-07-10 12:46:44 +0200
committerjulian laplace <julescarbon@gmail.com>2025-07-10 12:46:44 +0200
commit46023070fc3508f4992f725ae8c632d7466d43e5 (patch)
tree080c4aedf57dc519dddd7de2ff46ec2a7f007e7c
parent653f2df8c8b848578829edcd3ef5fec1795eff84 (diff)
a
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@@ -405,16 +405,17 @@
href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0385%3Astephpage%3D1027b"
>Plutarch</a
>
- in his commentary on Plato's <i>Timaeus</i>. It has been rediscovered
- several times, including in the 19th century by Albert von Thimus, who
+ in his commentary on Plato's <i>Timaeus</i>. It was
<a
href="https://archive.org/details/bsb10527783/page/137/mode/1up"
target="_blank"
- >depicts it</a
+ >depicted</a
>
- in
- <i>Die harmonikale Symbolik des Alterthums</i> (1876). The Lambdoma
- was also used by mathematician Georg Cantor in his theory of
+ in the 19th century by Albert von Thimus in the neo-Pythagorean
+ treatise
+ <i>Die harmonikale Symbolik des Alterthums</i> (1876) which connects
+ musical intervals to other harmonic relationships in nature. The
+ Lambdoma was also used by mathematician Georg Cantor in his theory of
transfinite sets (see below). More information can be gleaned from
Hero's
<a