From 46023070fc3508f4992f725ae8c632d7466d43e5 Mon Sep 17 00:00:00 2001
From: julian laplace <julescarbon@gmail.com>
Date: Thu, 10 Jul 2025 12:46:44 +0200
Subject: a

---
 index.html | 13 +++++++------
 1 file changed, 7 insertions(+), 6 deletions(-)

diff --git a/index.html b/index.html
index 68c22b0..2229ce1 100644
--- a/index.html
+++ b/index.html
@@ -405,16 +405,17 @@
             href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0385%3Astephpage%3D1027b"
             >Plutarch</a
           >
-          in his commentary on Plato's <i>Timaeus</i>. It has been rediscovered
-          several times, including in the 19th century by Albert von Thimus, who
+          in his commentary on Plato's <i>Timaeus</i>. It was
           <a
             href="https://archive.org/details/bsb10527783/page/137/mode/1up"
             target="_blank"
-            >depicts it</a
+            >depicted</a
           >
-          in
-          <i>Die harmonikale Symbolik des Alterthums</i> (1876). The Lambdoma
-          was also used by mathematician Georg Cantor in his theory of
+          in the 19th century by Albert von Thimus in the neo-Pythagorean
+          treatise
+          <i>Die harmonikale Symbolik des Alterthums</i> (1876) which connects
+          musical intervals to other harmonic relationships in nature. The
+          Lambdoma was also used by mathematician Georg Cantor in his theory of
           transfinite sets (see below). More information can be gleaned from
           Hero's
           <a
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