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+<p>
+Adair, E. R. 1929. <i>The exterritoriality of ambassadors in the sixteenth and seventeenth centuries</i>. London: Longmans, Green and Co
+</p>
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+<p>
+Banville, John. 1997. <i>The untouchable</i>. London: Picador.
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+<p>
+Barclay, Marion H. 2012. “The National Gallery of Canada and Nathan Stolow”<b> </b><i>Journal of the Canadian Association for Conservation </i>37: 22-40.
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+Bac, Ferdinand. 1929. <i>Le Favori du Cardinal Albani: (Jean-Joachim Winckelmann), "le p</i><i>è</i><i>re de l'arch</i><i>é</i><i>ologie", 1717-1768</i>. Paris: Louis Conrad.
+</p>
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+<p>
+Bamber, David and Chris Hastings. 2001. “Blunt sold Canadians looted fake paintings.” <i>The</i> <i>Telegraph Newspaper.</i> 04 Feb
+</p>
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+<p>
+Bazin, Germain, Anthony Blunt and Charles Sterling. 1960. <i>Exposition Nicolas Poussin</i>. Paris: Editions des Musees Nationaux.
+</p>
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+<p>
+Berger, John, and Geoff Dyer. 2001. “Et in Arcadia Ego: Poussin” <i>Selected essays</i>. New York: Pantheon Books.
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+Blunt, Anthony. 1937. "The Hypnerotomachia Poliphili in 17th Century France." <i>Journal of the Warburg Institute</i> 1, no. 2. 117-37.
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+Blunt, Anthony. 1938. "The Criminal-King in a 19th Century Novel." <i>Journal of the Warburg Institute</i> 1, no. 3: 248-49.
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+Blunt, Anthony. 1938 ‘Poussin’s <i>Et in Arcadia ego</i>’, <i>The Art Bulletin</i>, vol.20, no.1. 96–100
+</p>
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+<p>
+Blunt, Anthony. 1938. “A newly discovered Poussin.” <i>Apollo: the International Magazine of the Arts</i>. 27: 196-99. 
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+<p>
+Blunt, Anthony. 1946. <i>Catalogue of the exhibition of the King's pictures: 1946-47, Royal Academy of Arts, London</i>. London: Royal Academy of Arts.
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+Blunt, Anthony. 1947. "Poussin Studies-I: Self-Portraits". <i>The Burlington Magazine for Connoisseurs.</i><i> </i>89 (533): 219-226.
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Blunt, Anthony and Douglas Cooper. 1954. <i>The Courtauld collection; a catalogue and introduction</i>. London: University of London.
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+<p>
+Blunt, Anthony.  1960. <i>Exposition Nicolas Poussin.</i> Paris: Édition des Musées nationaux. 

+</p>
+
+<p>
+Blunt, Anthony. 1960. "Poussin studies: X ; Karel Philips Spierincks, the first imitator of Poussin's Bacchanals". <i>The Burlington Magazine / Ed. Benedict Nicolson.</i><i> </i>308-311.
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+Blunt, Anthony. 1960. “Review: Colloque Nicolas Poussin.” <i>The Burlington Magazine / Ed. Benedict Nicolson.</i><i> </i>330-332
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+Blunt, Anthony. 1964. <i>The Sir Anthony Blunt collection: an exhibition held at the Courtauld Institute Galleries</i>. London: The Courtauld Institute of Art.
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+Blunt, Anthony. 1966. <i>The paintings of Nicolas Poussin. Critical catalogue</i>. London: Phaidon.
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+Blunt, Anthony. 1967. <i>Nicolas Poussin</i>. (A.W. Mellon lectures in the fine arts, 1958). New York: Bollingen Foundation; distributed by Pantheon Books.
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+Blunt, Anthony. 1978. <i>Baroque & rococo: architecture & decoration</i>. New York: Harper & Row.
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+Boskamp, Ulrike. 2013. ‘Spion als Künstler als Spion’ (‘Spy as Artist, Artist as Spy’). <i>Fabian Reimann: Amateur. </i>Leipzig and Hannover: Spector Books and Kunstverein Hannover. 57–72. 

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+Cannon-Brookes, Peter. "Curataurus rex and the Courtauld mafia". 1992. <i>Museum Management and Curatorship.</i><i> </i>11 (4): 341-345.
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+Cassius Dio Cocceianus, Earnest Cary, and Herbert Baldwin Foster. 1961. <i>Roman history</i>. Cambridge: Harvard University Press.
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+Carrier, David. 1993. <i>Poussin's paintings: a study in art-historical methodology</i>. University Park, Pa: Pennsylvania State University Press.
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+Carter, Miranda. 2001. <i>Anthony Blunt: his lives</i>. New York: Farrar, Straus, and Giroux.
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+Cascone, Sarah. 2015. “Arrest of Swiss Freeport Owner Yves Bouvier Over Art Fraud Ring Rocks Art World”. <i>artnet news</i>, February 27. Online.
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+Cicero, Marcus Tullius, and Charles Duke Yonge. 1957. Cicero's orations. Trans. C.D. Younge. New York: Fine Editions Press.
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+Chu, Petra.  2004. “Courbet, or Not Courbet, That is the Question”. <i>IFAR Journal </i>7: 18-26.
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+Clark, Anthony M. 1962. "Book Review: Connoisseurs and Secret Agents in Eighteenth Century Rome". <i>The Art Bulletin.</i><i> </i>44 (2): 150-151.
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+Costello, John. 1988. <i>Mask of treachery</i>. New York: W. Morrow.
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+Deleuze, Gilles. 1993. <i>The fold: Leibniz and the Baroque</i>. Minneapolis: University of Minnesota Press.
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+Etheridge, Christopher and Stephen Gritt.” Rubens, Van Dyck, and Jordaens: Paintings in the Collection of the National Gallery of Canada.” <i>NGC Review/Revue du MBAC</i>, 2016: 1-38. 
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+Fernier, Robert. 1977. <i>La Vie et l'</i><i>œ</i><i>uvre de Gustave Courbet: catalogue raisonn</i><i>é</i>. Genève: Fondation Wildenstein.
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+Finlay, Karen A. 2004. <i>The force of culture: Vincent Massey and Canadian sovereignty</i>. Toronto: University of Toronto Press. 
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+Friedlaender, Walter. 1962. "Book Review: Considerazioni sulla pittura, Vol. I". <i>The Art Bulletin.</i><i> </i>44 (2): 146-148.
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+Gage, Frances. 2016. <i>Painting as medicine in early modern Rome Giulio Mancini and the efficacy of art</i>. University Park, Pennsylvania: The Pennsylvania State University Press.
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+Galton, Francis. 1892. <i>Finger prints</i>. London: Macmillan and Co. 
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+Ginzburg, Carlos. ‘Morelli, Freud and Sherlock Holmes: Clues and Scientific Method’, <i>History Workshop</i>, no.9, Spring 1980. 22–23. 

+</p>
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+Gombrich, E. H. and Fritz Saxl. 1970. <i>Aby Warburg: an intellectual biography</i>. London: The Warburg Institute.
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+Grotius, Hugo, and A. C. Campbell. 1901. <i>The rights of war and peace: including the law of nature and of nations</i>. New York: M.W. Dunne.
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+Heckscher, William S. 1974. "Petites perceptions: an account of sortes Warburgianae". <i>The Journal of Medieval and Renaissance Studies / Duke University.</i><i> </i>101-132.
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+Hopkins, Anthony, Ian Richardson, and John Glenister. 1992. <i>Blunt: the fourth man.</i> EDDE Entertainment. Film.
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+Johnson, Christopher D. 2012. <i>Memory, metaphor, and Aby Warburg's Atlas of images</i>. Ithaca, N.Y.: Cornell University Press. 
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+Jones, S. Rees. 1960. “Notes on Radiographs of Five Paintings by Poussin.”<i> The Burlington Magazine / Ed. Benedict Nicolson.</i><i> </i>304-308
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+Kaye, George W.C. <i>The Practical Applications of X-rays</i>, London: Chapman & Hall, 1922.
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+Keblusek, Marika, and Badeloch Noldus. 2011. <i>Double agents: cultural and political brokerage in early modern Europe</i>. Leiden: Brill.
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+Kinsella, Eileen. 2016. “Billionaire Collector Dmitry Rybolovlev Wins Right to Hold Yves Bouvier Trial in Singapore”. <i>artnet news</i>, March 30. Online.
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+Klein, Jerome. <i>The Art Bulletin</i> 19, no. 2 (1937): 314-17. 
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+Knight, Sam. 2016. "The Bouvier Affair: an art-world insider's controversial methods". <i>The</i> <i>New Yorker.</i><i> </i>(Feb 08): 62-71.
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+Lacan, Jacques. 1966. “The Purloined Letter” <i>Ecrits</i>. Paris: Editions du Seuil.
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+Lamster, Mark. 2009. “The Art of Diplomacy.”<i> Wall Street Journal</i>. Oct 10. 
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+Lamster, Mark. 2009. <i>Master of shadows: the secret diplomatic career of the painter Peter Paul Rubens. </i>New York: Nan A Talese/Doubleday.
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+Lewis, Lesley. 1961. <i>Connoisseurs and secret agents in eighteenth century Rome</i>. London: Chatto & Windus.
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+Mahon,Denis. 1960. “Poussin's Early Development: An Alternative Hypothesis.”<i> The Burlington Magazine / Ed. Benedict Nicolson.</i><i> </i>288-301.
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+McCorkell, Andrew. 2011. “It's so Surreal... the artist who forged himself.” <i>The Independent</i>, Saturday 11. Online. 
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+Nelson, Christine M. 1988. <i>"Opening" Pandora's Box: The Status of the Diplomatic Bag in International Relations</i>, 12 Fordham Int'l L.J. 494-520.
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+Nicholson, Luke David. 2011. <i>Anthony Blunt and Nicolas Poussin: A Queer Approach</i>. Unpublished PhD thesis, Concordia University, Montréal.
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+Padfield, Joseph, David Saunders, John Cupitt and Robert Atkinson. 2002. “Improvements in the Acquisition and Processing of X-ray Images of Paintings.” <i>National Gallery technical bulletin. </i>London: National Gallery Publications.
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+Panofsky, Erwin. 1955. <i>Meaning in the Visual Arts: Papers in and on Art History</i>. NY: Doubleday.
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+Penrose, Barrie, and Simon Freeman. 1986. <i>Conspiracy of silence: the secret life of Anthony Blunt</i>. London: Grafton.
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+Perlson, Hili. 2015. “Switzerland Cracks Down on Art Market with Tighter Anti Money Laundering Laws”. <i>artnet news</i>, June 2. Online.
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+Plutarch, and Bernadotte Perrin. 1914. <i>Plutarch's Lives</i>. London: W. Heinemann.
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+Ruiz, Cristina. 2014. “De Chirico catalogue under scrutiny”. <i>The Art Newspaper</i>, February 5. Online.
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+Simpson, Leitch, and Knightly. 1979. “Blunt was Emissary for King George VI,” <i>The Sunday Times</i> (London), 25 November. 
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+United States. 1999. <i>Anthony Blunt File</i>. Washington, D.C.: Federal Bureau of Investigation. 
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+Wright, Christopher. 1985. <i>Poussin, paintings: a catalogue raisonn</i><i>é</i>. London: Harlequin Books.
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