From 8c14599404e3905ebfedb148f9d23d09f26331e3 Mon Sep 17 00:00:00 2001 From: Jules Laplace Date: Mon, 27 Sep 2021 15:38:49 +0200 Subject: graph, intro --- biblio.html | 334 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ 1 file changed, 334 insertions(+) create mode 100644 biblio.html (limited to 'biblio.html') diff --git a/biblio.html b/biblio.html new file mode 100644 index 0000000..8144df3 --- /dev/null +++ b/biblio.html @@ -0,0 +1,334 @@ + + +

+Adair, E. R. 1929. The exterritoriality of ambassadors in the sixteenth and seventeenth centuries. London: Longmans, Green and Co +

+ +

+Banville, John. 1997. The untouchable. London: Picador. +

+ +

+Barclay, Marion H. 2012. “The National Gallery of Canada and Nathan Stolow” Journal of the Canadian Association for Conservation 37: 22-40. +

+ +

+Bac, Ferdinand. 1929. Le Favori du Cardinal Albani: (Jean-Joachim Winckelmann), "le père de l'archéologie", 1717-1768. Paris: Louis Conrad. +

+ +

+Bamber, David and Chris Hastings. 2001. “Blunt sold Canadians looted fake paintings.” The Telegraph Newspaper. 04 Feb +

+ +

+Bazin, Germain, Anthony Blunt and Charles Sterling. 1960. Exposition Nicolas Poussin. Paris: Editions des Musees Nationaux. +

+ +

+Berger, John, and Geoff Dyer. 2001. “Et in Arcadia Ego: Poussin” Selected essays. New York: Pantheon Books. +

+ +

+Blunt, Anthony. 1937. "The Hypnerotomachia Poliphili in 17th Century France." Journal of the Warburg Institute 1, no. 2. 117-37. +

+ +

+Blunt, Anthony. 1938. "The Criminal-King in a 19th Century Novel." Journal of the Warburg Institute 1, no. 3: 248-49. +

+ +

+Blunt, Anthony. 1938 ‘Poussin’s Et in Arcadia ego’, The Art Bulletin, vol.20, no.1. 96–100 +

+ +

+Blunt, Anthony. 1938. “A newly discovered Poussin.” Apollo: the International Magazine of the Arts. 27: 196-99. +

+ +

+Blunt, Anthony. 1946. Catalogue of the exhibition of the King's pictures: 1946-47, Royal Academy of Arts, London. London: Royal Academy of Arts. +

+ +

+Blunt, Anthony. 1947. "Poussin Studies-I: Self-Portraits". The Burlington Magazine for Connoisseurs. 89 (533): 219-226. +

+ +

+
Blunt, Anthony and Douglas Cooper. 1954. The Courtauld collection; a catalogue and introduction. London: University of London. +

+ +

+Blunt, Anthony. 1960. Exposition Nicolas Poussin. Paris: Édition des Musées nationaux. 
 +

+ +

+Blunt, Anthony. 1960. "Poussin studies: X ; Karel Philips Spierincks, the first imitator of Poussin's Bacchanals". The Burlington Magazine / Ed. Benedict Nicolson. 308-311. +

+ +

+Blunt, Anthony. 1960. “Review: Colloque Nicolas Poussin.” The Burlington Magazine / Ed. Benedict Nicolson. 330-332 +

+ +

+Blunt, Anthony. 1964. The Sir Anthony Blunt collection: an exhibition held at the Courtauld Institute Galleries. London: The Courtauld Institute of Art. +

+ +

+Blunt, Anthony. 1966. The paintings of Nicolas Poussin. Critical catalogue. London: Phaidon. +

+ +

+Blunt, Anthony. 1967. Nicolas Poussin. (A.W. Mellon lectures in the fine arts, 1958). New York: Bollingen Foundation; distributed by Pantheon Books. +

+ +

+Blunt, Anthony. 1978. Baroque & rococo: architecture & decoration. New York: Harper & Row. +

+ +

+Boskamp, Ulrike. 2013. ‘Spion als Künstler als Spion’ (‘Spy as Artist, Artist as Spy’). Fabian Reimann: Amateur. Leipzig and Hannover: Spector Books and Kunstverein Hannover. 57–72. 
 +

+ +

+Cannon-Brookes, Peter. "Curataurus rex and the Courtauld mafia". 1992. Museum Management and Curatorship. 11 (4): 341-345. +

+ +

+Cassius Dio Cocceianus, Earnest Cary, and Herbert Baldwin Foster. 1961. Roman history. Cambridge: Harvard University Press. +

+ +

+Carrier, David. 1993. Poussin's paintings: a study in art-historical methodology. University Park, Pa: Pennsylvania State University Press. +

+ +

+Carter, Miranda. 2001. Anthony Blunt: his lives. New York: Farrar, Straus, and Giroux. +

+ +

+Cascone, Sarah. 2015. “Arrest of Swiss Freeport Owner Yves Bouvier Over Art Fraud Ring Rocks Art World”. artnet news, February 27. Online. +

+ +

+Cicero, Marcus Tullius, and Charles Duke Yonge. 1957. Cicero's orations. Trans. C.D. Younge. New York: Fine Editions Press. +

+ +

+Chu, Petra. 2004. “Courbet, or Not Courbet, That is the Question”. IFAR Journal 7: 18-26. +

+ +

+Clark, Anthony M. 1962. "Book Review: Connoisseurs and Secret Agents in Eighteenth Century Rome". The Art Bulletin. 44 (2): 150-151. +

+ +

+Costello, John. 1988. Mask of treachery. New York: W. Morrow. +

+ +

+Deleuze, Gilles. 1993. The fold: Leibniz and the Baroque. Minneapolis: University of Minnesota Press. +

+ +

+Etheridge, Christopher and Stephen Gritt.” Rubens, Van Dyck, and Jordaens: Paintings in the Collection of the National Gallery of Canada.” NGC Review/Revue du MBAC, 2016: 1-38. +

+ +

+Fernier, Robert. 1977. La Vie et l'œuvre de Gustave Courbet: catalogue raisonné. Genève: Fondation Wildenstein. +

+ +

+Finlay, Karen A. 2004. The force of culture: Vincent Massey and Canadian sovereignty. Toronto: University of Toronto Press. +

+ +

+Friedlaender, Walter. 1962. "Book Review: Considerazioni sulla pittura, Vol. I". The Art Bulletin. 44 (2): 146-148. +

+ +

+Gage, Frances. 2016. Painting as medicine in early modern Rome Giulio Mancini and the efficacy of art. University Park, Pennsylvania: The Pennsylvania State University Press. +

+ +

+Galton, Francis. 1892. Finger prints. London: Macmillan and Co.  +

+ +

+Ginzburg, Carlos. ‘Morelli, Freud and Sherlock Holmes: Clues and Scientific Method’, History Workshop, no.9, Spring 1980. 22–23. 
 +

+ +

+Gombrich, E. H. and Fritz Saxl. 1970. Aby Warburg: an intellectual biography. London: The Warburg Institute. +

+ +

+Grotius, Hugo, and A. C. Campbell. 1901. The rights of war and peace: including the law of nature and of nations. New York: M.W. Dunne. +

+ +

+Heckscher, William S. 1974. "Petites perceptions: an account of sortes Warburgianae". The Journal of Medieval and Renaissance Studies / Duke University. 101-132. +

+ +

+Hopkins, Anthony, Ian Richardson, and John Glenister. 1992. Blunt: the fourth man. EDDE Entertainment. Film. +

+ +

+Johnson, Christopher D. 2012. Memory, metaphor, and Aby Warburg's Atlas of images. Ithaca, N.Y.: Cornell University Press.  +

+ +

+Jones, S. Rees. 1960. “Notes on Radiographs of Five Paintings by Poussin.” The Burlington Magazine / Ed. Benedict Nicolson. 304-308 +

+ +

+Kaye, George W.C. The Practical Applications of X-rays, London: Chapman & Hall, 1922. +

+ +

+Keblusek, Marika, and Badeloch Noldus. 2011. Double agents: cultural and political brokerage in early modern Europe. Leiden: Brill. +

+ +

+Kinsella, Eileen. 2016. “Billionaire Collector Dmitry Rybolovlev Wins Right to Hold Yves Bouvier Trial in Singapore”. artnet news, March 30. Online. +

+ +

+Klein, Jerome. The Art Bulletin 19, no. 2 (1937): 314-17.  +

+ +

+Knight, Sam. 2016. "The Bouvier Affair: an art-world insider's controversial methods". The New Yorker. (Feb 08): 62-71. +

+ +

+Lacan, Jacques. 1966. “The Purloined Letter” Ecrits. Paris: Editions du Seuil. +

+ +

+Lamster, Mark. 2009. “The Art of Diplomacy.” Wall Street Journal. Oct 10. +

+ +

+Lamster, Mark. 2009. Master of shadows: the secret diplomatic career of the painter Peter Paul Rubens. New York: Nan A Talese/Doubleday. +

+ +

+Lewis, Lesley. 1961. Connoisseurs and secret agents in eighteenth century Rome. London: Chatto & Windus. +

+ +

+Mahon,Denis. 1960. “Poussin's Early Development: An Alternative Hypothesis.” The Burlington Magazine / Ed. Benedict Nicolson. 288-301. +

+ +

+McCorkell, Andrew. 2011. “It's so Surreal... the artist who forged himself.” The Independent, Saturday 11. Online. +

+ +

+Nelson, Christine M. 1988. "Opening" Pandora's Box: The Status of the Diplomatic Bag in International Relations, 12 Fordham Int'l L.J. 494-520. +

+ +

+Nicholson, Luke David. 2011. Anthony Blunt and Nicolas Poussin: A Queer Approach. Unpublished PhD thesis, Concordia University, Montréal. +

+ +

+Padfield, Joseph, David Saunders, John Cupitt and Robert Atkinson. 2002. “Improvements in the Acquisition and Processing of X-ray Images of Paintings.” National Gallery technical bulletin. London: National Gallery Publications. +

+ +

+Panofsky, Erwin. 1955. Meaning in the Visual Arts: Papers in and on Art History. NY: Doubleday. +

+ +

+Penrose, Barrie, and Simon Freeman. 1986. Conspiracy of silence: the secret life of Anthony Blunt. London: Grafton. +

+ +

+Perlson, Hili. 2015. “Switzerland Cracks Down on Art Market with Tighter Anti Money Laundering Laws”. artnet news, June 2. Online. +

+ +

+Plutarch, and Bernadotte Perrin. 1914. Plutarch's Lives. London: W. Heinemann. +

+ +

+Reimann, Fabian, Stephanie Tasch, and Jan Wenzel. 2010. The Surveyor. Leipzig: Spector Books. +

+ +

+Ruiz, Cristina. 2014. “De Chirico catalogue under scrutiny”. The Art Newspaper, February 5. Online. +

+ +

+Simpson, Leitch, and Knightly. 1979. “Blunt was Emissary for King George VI,” The Sunday Times (London), 25 November. +

+ +

+Stankievech, Charles. 2016. “CounterIntelligence: A Glossary of Doubled Agency.” Afterall: A Journal of Art, Context and Enquiry 42: 132-43. +

+ +

+Steefel, Lawrence D. 1975. "A neglected shadow in Poussin's Et in Arcadia Ego”. The Art Bulletin 57: 99-101. +

+ +

+Steyerl, Hito. 2015. “Duty-Free Art”. e-flux journal 63, March. Online. +

+ +

+Stone, David M. 2012. "Signature killer: Caravaggio and the poetics of blood". The Art Bulletin. 94 (4): 572-593. +

+ +

+Thatcher, Margaret. 1979. House of Commons Speech. HC Deb 21 November 1979 vol 974 cc402-520. London: House of Commons. Hansard Archives Online. +

+ +

+Thatcher, Margaret. 1979. House of Commons Speech. HC Deb 15 November 1979 vol 973 cc679-81W. London: House of Commons. Hansard Archives Online. +

+ +

+United Nations, 1961. Vienna Convention on Diplomatic Relations. Treaty Series, vol. 500, p. 95. +

+ +

+United States. 1999. Anthony Blunt File. Washington, D.C.: Federal Bureau of Investigation.  +

+ +

+Unknown. 1921. “Radiography on old Masters.” American Art News 19, no. 25: 1. +

+ +

+Vries, A. B. de, Magdi Tóth-Ubbens, and W. Froentjes. 1978. Rembrandt in the Mauritshuis: an interdisciplinary study. Alphen aan den Rijn: Sijthoff & Noordhoff. +

+ +

+Warburg, Aby, and Horst Bredekamp. 1998. Gesammelte Schriften: Studienausgabe. Berlin: Akademie Verlag. +

+ +

+Whaley, Barton. 1969. Soviet clandestine communication nets. Notes for a history of the structure of the intelligence service of the USSR. Research program on problems of international communication and security. Cambridge, Mass: Center for International Studies, Massachusetts Institute of Technology. +

+ +

+West, Nigel, and Oleg Tsarev. 1999. The crown jewels: the British secrets at the heart of the KGB archives. New Haven: Yale University Press. +

+ +

+West, Nigel, and Oleg Tsarev. 2009. TRIPLEX: Secrets from the Cambridge Spies. Yale University Press. +

+ +

+ +

+ +

+Wind, Edgar. 1963. Art and anarchy. London: Faber and Faber. +

+ +

+Wright, Christopher. 1985. Poussin, paintings: a catalogue raisonné. London: Harlequin Books. +

+ -- cgit v1.2.3-70-g09d2