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<!DOCTYPE html>
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        <h1>Bethany Barrett</h1>
        <h2>Musician, composer, sound designer</h2>

        <p>
          Hello and welcome to my portfolio! Here you will find various
          recordings and soundtracks that I have produced over the last few
          years. I hope you find something you enjoy. I am always available for
          new commissions and client work. Please email me at
          <a class="address"></a>
          to start a conversation. Thanks!
        </p>

        <p>
          <i>🦄 Bethany</i>
        </p>

        <h3>Hybrid</h3>
        <small>2022</small>

        <div class="links">
          <span class="link" href="media/hybrid-nature.mp3">
            <div class="icon audio"></div>
            Nature: "Domestication is a process..."
          </span>
          <span class="link" href="media/hybrid-sacrifice.mp3">
            <div class="icon audio"></div>
            Sacrifice: "I'm convined there's a solution..."
          </span>
          <span class="link" href="media/hybrid-ritual.mp3">
            <div class="icon audio"></div>
            Ritual (Chorus): "In a moment, a life is lost..."
          </span>
        </div>

        <p>
          <i>Hybrid</i> is "an interspecies opera" by artist Heather
          Dewey-Hagborg which explores xenotransplantation: genetically
          modifying pigs to grow human organs. This piece presented a unique
          challenge as I had to compose music for four vocalists, using somewhat
          abstruse texts taken from interviews with scientists.
        </p>
        <p>
          With only a month to produce this piece, I was able to scout four
          singers, arrange and record their performances, and perform the
          instrumental backing (making special use of the Sequential Take 5 and
          Korg Opsix) in time for the debut at MIT. I also produced full musical
          scores, so that in the future, the piece can be performed live.
        </p>

        <h3>Homeday</h3>
        <small>2022</small>

        <div class="links">
          <span class="link" href="media/homeday-montage.mp3">
            <div class="icon audio"></div>
            Homeday
          </span>
        </div>

        <p>
          I scored this short film about a small company that organizes a soccer
          team to bring its employees closer together. The piece is upbeat and
          follows them through a practice and a match.
        </p>

        <h3>Fireworks</h3>
        <small>2021</small>

        <div class="links">
          <span class="link" href="media/Fireworks Part 1.mp3">
            <div class="icon audio"></div>
            Part 1: Fireworks
          </span>
          <span class="link" href="media/Fireworks Part 2 Synthwave.mp3">
            <div class="icon audio"></div>
            Part 2: The Flame
          </span>
          <span class="link" href="media/Fireworks Part 3 Techno.mp3">
            <div class="icon audio"></div>
            Part 3: The Melt (Club scene)
          </span>
          <span class="link" href="media/Fireworks Part 3 Outro.mp3">
            <div class="icon audio"></div>
            Part 3: The Melt (Outro)
          </span>
        </div>

        <p>
          Soundtrack for a short film depicting a love story about missed
          connections. Shot on the <i>Xiaomi 11T Pro 5G</i>, the film was
          commissioned by Xiaomi to show off the cinematic potential of their
          new smart phone camera. The acoustic guitar theme establishes a
          classic movie house vibe, while the electronic tracks follow the
          lovers to their climax.
        </p>

        <h3>Neues von Zuhause</h3>
        <small>2021</small>

        <div class="links">
          <span class="link" href="media/NVZ 1 - Trier.mp3">
            <div class="icon audio"></div>
            Trier / Isolation
          </span>
          <span class="link" href="media/NVZ 2 - Circus Corona.mp3">
            <div class="icon audio"></div>
            Circus Corona
          </span>
          <span class="link" href="media/NVZ 3 - Helicopter.mp3">
            <div class="icon audio"></div>
            News Stand / Helicopter
          </span>
          <span class="link" href="media/NVZ 4 - City Lights.mp3">
            <div class="icon audio"></div>
            Dark Streets / City Lights
          </span>
        </div>

        <p>
          I scored the feature-length documentary <i>Neues von Zuhause</i> (<i
            >News from Home</i
          >), directed by Dominik Galizia. The film documents the first year of
          the Covid-19 pandemic from the viewpoint of a solitary individual, who
          narrated his experience as it happened through WhatsApp voice
          messages. Music pervades the film, at times heightening the sense of
          unease and isolation, while also highlighting moments of hope and
          humor that break through. Features rich Moog leads, pads from the
          Roland Alpha Juno, and haunting modular wavetable drones.
        </p>

        <h3>»click the stars« (Kunst im Unterground)</h3>
        <small>2021</small>

        <div class="links">
          <span class="link" href="media/BVG Theme Song.mp3">
            <div class="icon audio"></div>
            BVG Theme Song
          </span>
        </div>

        <p>
          As part of <i>Kunst im Unterground 2020/2021</i>, I soundtracked an
          audio essay that accompanied an art intervention on the BVG. The
          artist, Philine Puffer, took online Google reviews of Berlin U-Bahn
          stations and displayed them on <i>Berliner Fenster</i>, the passenger
          television program on the Berlin subway. In an audio essay, she
          observes how these reviews comment on the contemporary urban
          environment, where neutral, functional spaces like train stations
          become sites for online social critique; pieces of the BVG “Theme
          Song” were used throughout her piece.
        </p>

        <h3>SocialSim</h3>
        <small>2020</small>

        <div class="links">
          <span class="link" href="media/02 Glacial Catacomb.mp3">
            <div class="icon audio"></div>
            Glacial Catacomb
          </span>
          <span class="link" href="media/Rabbia e Tarantella full mix.mp3">
            <div class="icon audio"></div>
            Ennio Morricone - Rabbia e Tarantella
          </span>
        </div>

        <p>
          Hito Steyerl’s 2020 installation <i>SocialSim</i> used one of my
          dungeon synth compositions, <i>Glacial Catacomb</i>, as the music
          inside an art gallery‘s “secret VIP room” full of self-evolving
          artworks. For the film’s credits, I arranged a rendition of Ennio
          Morricone's <i>Rabbia e Tarantella</i> (1974), performed using
          guitars, drums, and synths. This piece debuted at the K21 museum in
          Düsseldorf and was later shown at the Centre Pompidou, Paris.
        </p>

        <h3>Drill</h3>
        <small>2019</small>

        <div class="links">
          <span
            class="link"
            href="media/01 Sonification of Mass Shootings (1999-2018).mp3"
          >
            <div class="icon audio"></div>
            Mass Shootings (1999-2018)
          </span>
          <span class="link" href="media/02 AR-15 (2016-17).mp3">
            <div class="icon audio"></div>
            AR-15 (2016-17)
          </span>
          <span
            class="link"
            href="media/03 Firearms Manufactured (1986-2016).mp3"
          >
            <div class="icon audio"></div>
            Firearms Manufactured (1986-2016)
          </span>
          <span
            class="link"
            href="media/06 Yale Marching Band - Mass Shootings (1999-2018).mp3"
          >
            <div class="icon audio"></div>
            Yale Marching Band - Mass Shootings (1999-2018)
          </span>
        </div>

        <p>
          <i>Drill</i> was a film shot by Hito Steyerl at the Park Avenue Armory
          in New York City. The piece centered around gun violence in America,
          both its history with the founding of the NRA at the Armory in 1871,
          and the present-day condition where mass shootings happen nearly every
          week. These data sonifications act as timelines of gun violence, where
          each beat marks the passing of a month, and each note represents a
          tragic incident. Through this process, a dark melody naturally
          emerges.
        </p>
        <p>
          I scored the film using data sonifications of mass shooting data,
          performed using the Deepmind 12 and JX-8P synthesizers. These were
          later arranged and performed by the Yale University Precision Marching
          Band in the Park Avenue Armory Drill Hall.
        </p>

        <h3>This is the Future / Power Plants</h3>
        <small>2019</small>

        <div class="links">
          <span
            class="link"
            href="media/04 Bethany Barrett - Flowers of Inequality.mp3"
          >
            <div class="icon audio"></div>
            Flowers of Inequality
          </span>
          <span class="link" href="media/05 Bethany Barrett - Six Days.mp3">
            <div class="icon audio"></div>
            Six Days
          </span>
        </div>

        <p>
          Hito Steyerl's <i>This is the Future / Power Plants</i> used my drones
          to illustrate a garden of flowers with the power to cure social media
          addiction, hate speech and austerity propaganda. The film was
          presented in 2019 at the Venice Biennale.
        </p>

        <h3>Figaros Wölfe</h3>
        <small>2017</small>

        <div class="links">
          <span class="link" href="media/01. Rooftop.mp3">
            <div class="icon audio"></div>
            Rooftop
          </span>
          <span class="link" href="media/02. The Walk - Edgars theme.mp3">
            <div class="icon audio"></div>
            The Walk / Edgar's Theme
          </span>
          <span class="link" href="media/03. Hausers Theme.mp3">
            <div class="icon audio"></div>
            Hauser's Theme
          </span>
          <span class="link" href="media/06. Gilbert & Colette.mp3">
            <div class="icon audio"></div>
            Gilbert &amp; Colette
          </span>
          <span class="link" href="media/07. Hell Theme.mp3">
            <div class="icon audio"></div>
            Hell Theme
          </span>
          <span class="link" href="media/10. Cold Sweat - Mescaline.mp3">
            <div class="icon audio"></div>
            Cold Sweat / Mescaline
          </span>
          <span class="link" href="media/12. Edgars Theme II.mp3">
            <div class="icon audio"></div>
            Edgar's Theme II
          </span>
          <span class="link" href="media/15. Time To Die.mp3">
            <div class="icon audio"></div>
            Time To Die
          </span>
          <span class="link" href="media/16. Making Peace.mp3">
            <div class="icon audio"></div>
            Making Peace
          </span>
        </div>

        <p>
          I composed the soundtrack to Dominik Galizia's film
          <i>Figaros Wölfe</i> (<i>Figaro's Wolves</i>), a feature-length
          psychological drama about a woman overcoming her past trauma through
          the help of a friend. The synth-driven score features some of my
          favorite instruments, including the Roland JX-8P and the Moog
          SubPhatty. Parts of the score were later used in Dominik's cult hit
          film <i>Heikos Welt</i> (2021).
        </p>
      </div>
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