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@@ -401,7 +401,7 @@
<h1>Triangle / Lambdoma</h1>
<p>
- This instrument uses basic fractions to make a wide palette of just
+ This instrument uses simple ratios to make a wide palette of just
intonation intervals available all at once.
</p>
@@ -462,7 +462,7 @@
</tr>
<tr>
<td>~</td>
- <td>Toggle sine/bandpass mode</td>
+ <td>Toggle sine and resonator mode</td>
</tr>
<tr>
<td>\</td>
@@ -564,9 +564,9 @@
>What does a stone sound like?</i
>), Neubäcker describes the basic principles of harmonic intervals. He
first demonstrates how one plays harmonics on a monochord. He then
- shows it next to a grid of whole-number fractions, and demonstrates
- how one can use these ratios to find specific intervals. I had never
- seen just intonation demonstrated so elegantly, so I made this page to
+ shows it next to a grid of whole-number ratios, and demonstrates how
+ one can use these ratios to find specific intervals. I had never seen
+ just intonation demonstrated so elegantly, so I made this page to
explore the concept.
</p>
@@ -662,11 +662,14 @@
In the Lambdoma, Barbara Hero also sees the image of Georg Cantor's
transfinite set of rational numbers ℚ, which Cantor proved
<i>countably</i>
- infinite by arranging fractions into a grid by numerator and
- denominator. One may easily grasp this <i>countable infinity</i> of
- rationals by considering that, though there are infinitely many
- rational numbers, in between any two there lies an
- <i>uncountable continuity</i> of real numbers in ℝ.
+ infinite. Consider that while there are infinitely many natural
+ numbers, we may count our way up to each one, starting from 1.
+ Similarly, we can count the cells in a Lambdoma in a snake-like
+ pattern starting from 1:1, and thus map all of the rationals to the
+ natural numbers. Though there are infinitely many rational numbers, by
+ their nature they are discrete, countable, and not completely dense.
+ Between any two rational numbers, there lies an uncountable continuity
+ of real numbers in ℝ.
</p>
<h2>thank you!</h2>