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Diffstat (limited to 'index.html')
| -rw-r--r-- | index.html | 17 |
1 files changed, 9 insertions, 8 deletions
@@ -214,7 +214,7 @@ <h1>Triangle / Lambdoma</h1> <p> - This instrument uses fractions to make a wide palette of just + This instrument uses basic fractions to make a wide palette of just intonation intervals available all at once. </p> @@ -370,17 +370,18 @@ shows it next to a grid of whole-number fractions, and demonstrates how one can use these ratios to find specific intervals. I had never seen just intonation demonstrated so elegantly, so I made this page to - explore the concept interactively. + explore the concept. </p> <p> I later learned that I had constructed the "lamboid diagram" or Lambdoma, named for its resemblance to the Greek letter Lambda Λ. The - synergy of color and sound in the Lambdoma, linking the octave to the - color wheel, was studied in depth by artist and sound practitioner - <a href="https://www.lambdoma.com/">Barbara Hero</a>. Hero made the - Lambdoma her life's work, and built an 8x8 electronic Lambdoma - instrument for sound healing purposes. + synergy of color and tone, linking the octave to the color wheel, + seemed intuitive, and revealed a beautiful pattern. This pattern had + earlier been uncovered by artist and sound practitioner + <a href="https://www.lambdoma.com/">Barbara Hero</a>, who built an 8x8 + electronic Lambdoma instrument for sound healing purposes, using the + same pattern of colors. </p> <p> @@ -405,7 +406,7 @@ href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0385%3Astephpage%3D1027b" >Plutarch</a > - in his commentary on Plato's <i>Timaeus</i>. It was + (ca. 100 CE) in his commentary on Plato's <i>Timaeus</i>. It was <a href="https://archive.org/details/bsb10527783/page/137/mode/1up" target="_blank" |
