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<p>
- Tuning systems must weigh the harmony of pure intervals against
- musical versatility. A Pythagorean tuning system made from pure
- fractions will include many different "fifths" and "thirds" at
- different points in the scale, which makes each musical key sound
- highly distinctive. Some intervals are extremely dissonant and harsh,
- rendering certain keys unplayable.
+ Tuning systems must weigh the purity of thirds and fifths. A
+ Pythagorean tuning system made from pure fractions will include many
+ different "fifths" and "thirds" at different points in the scale,
+ especially when using basic ratios to determine a 12-tone scale. Each
+ musical key sounds highly distinctive, and some intervals may be
+ considered dissonant or harsh.
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<p>
- 12-tone equal temperament enables musicians to play in any key by
- bending all of the notes slightly out of tune. This process invokes
- irrational numbers, and creates in-between intervals which do not
- exist anywhere in the Lambdoma, no matter how far out you go.
- Equal-tempered semitones are separated by a ratio of the 12th root of
- 2 (1:<super>12</super>√2). Irrationals are real numbers, and these can
- only be approximated by fractions made up of natural numbers.
+ In a sense, 12-tone equal temperament "bends" all of the notes such
+ that the fifths are more consisent, making it easier to modulate
+ between keys, though other intervals (like thirds) are far from a pure
+ interval. This process invokes irrational numbers, and creates
+ in-between intervals which do not exist anywhere in the Lambdoma, no
+ matter how far out you go. Equal-tempered semitones are separated by a
+ ratio of the 12th root of 2 (1:<super>12</super>√2). Irrationals are
+ real numbers, and these can only be approximated by fractions made up
+ of natural numbers.
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<p>