summaryrefslogtreecommitdiff
path: root/index.html
diff options
context:
space:
mode:
authorjulian laplace <julescarbon@gmail.com>2025-07-09 22:50:17 +0200
committerjulian laplace <julescarbon@gmail.com>2025-07-09 22:50:17 +0200
commitf4967dafc02546ba17d47ff813d5b0013000d5fe (patch)
treeffd73c5847697b124df4c4ae394759bf1167e363 /index.html
parent006becc3e64a598daf138b30411a4277c54897c6 (diff)
html
Diffstat (limited to 'index.html')
-rw-r--r--index.html38
1 files changed, 25 insertions, 13 deletions
diff --git a/index.html b/index.html
index 71a4f87..3c325bd 100644
--- a/index.html
+++ b/index.html
@@ -371,11 +371,10 @@
</p>
<p>
- I later learned that I had rediscovered the
- <a href="https://www.lambdoma.com/">Lambdoma</a>, so called by the
- ancient Greeks for its resemblance to the letter Lambda. The synergy
- of color and sound in the Lambdoma, linking the octave to the color
- wheel, was first studied in depth by artist and sound practitioner
+ I later learned that I had rediscovered the Lambdoma, named for its
+ resemblance to the Greek letter Lambda. The synergy of color and sound
+ in the Lambdoma, linking the octave to the color wheel, was first
+ studied in depth by artist and sound practitioner
<a href="https://www.lambdoma.com/barbara-hero.html">Barbara Hero</a>.
Hero made the Lambdoma her life's work, and built an 8x8 electronic
Lambdoma instrument for sound healing purposes.
@@ -414,14 +413,27 @@
<p>
With the root, fifth, and fourth in the top-left corner, the Lambdoma
- shows how the 3:2 proportion is essential to the perception of
- consonance. The musical circle of fifths, derived from these simple
- proportions, can be studied in more detail in this program's
- Pythagorean scale mode. Similar notes can be found by color and
- compared. One can easily hear how stacked fifths overshoot the octave
- by finding two far-apart red notes and playing both at once, which
- makes them beat against each other. This interval is the "syntonic
- comma" which is averaged out in various keyboard tuning systems.
+ shows how the 3:2 proportion is essential to human perception.
+ </p>
+
+ <p>
+ Mapping colors logarithmically to this wheel of fractions, with red at
+ the octave (1:1), it naturally follows that the fourth (4:3) is green,
+ and the fifth (3:2) is blue. These ratios seem to correspond to the
+ photoreceptors in the human retina, which are sensitive to wavelengths
+ of light in three different ranges: long, medium, and short. These
+ ranges are perceived as "red, green, and blue" in the brain; our
+ mind's eye sees a continuous cycle of color that loops back on itself.
+ </p>
+
+ <p>
+ The musical circle of fifths, derived from these simple proportions,
+ can be studied in more detail in this program's Pythagorean scale
+ mode. Similar notes can be found by color and compared. One can easily
+ hear how stacked fifths overshoot the octave by finding two far-apart
+ red notes and playing both at once, which makes them beat against each
+ other. This interval is the "syntonic comma" which is averaged out in
+ various keyboard tuning systems.
</p>
<p>