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| author | julian laplace <julescarbon@gmail.com> | 2025-07-09 23:23:11 +0200 |
|---|---|---|
| committer | julian laplace <julescarbon@gmail.com> | 2025-07-09 23:23:11 +0200 |
| commit | cfcb7622e6b7b458150757208180ddc340c76bd5 (patch) | |
| tree | 32ac2feb3ce9a096f0a64a4f2ba31b6aae771d4e /index.html | |
| parent | 9a770f482c4d8f4c1cc092bc2eed7015e2727c18 (diff) | |
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Diffstat (limited to 'index.html')
| -rw-r--r-- | index.html | 14 |
1 files changed, 9 insertions, 5 deletions
@@ -202,6 +202,9 @@ font-size: 20px; height: 100%; } + u { + cursor: pointer; + } </style> </head> <body> @@ -443,11 +446,12 @@ <p> The musical circle of fifths, derived from repeatedly stacking the 3:2 proportion, can be studied in more detail in this program's - Pythagorean scale mode. Similar notes can be found by color and - compared. One can easily hear how stacked fifths overshoot the octave - by finding two far-apart red notes and playing both at once, which - makes them beat against each other. This interval is the "syntonic - comma" which is averaged out in various keyboard tuning systems. + <u id="pythagorean">Pythagorean</u> scale mode. Similar notes can be + found by color and compared. One can easily hear how stacked fifths + overshoot the octave by finding two far-apart red notes and playing + both at once, which makes them beat against each other. This interval + is the "syntonic comma" which is averaged out in various keyboard + tuning systems. </p> <p> |