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| author | julian laplace <julescarbon@gmail.com> | 2025-07-09 23:26:14 +0200 |
|---|---|---|
| committer | julian laplace <julescarbon@gmail.com> | 2025-07-09 23:26:14 +0200 |
| commit | 35fb26aa3e67e92352b58456f368bce6c6638706 (patch) | |
| tree | daa5f4edacb954f6ff9f08db334bb5181f56585f /index.html | |
| parent | e3179b553d5996bafabbfac91ff84ac45b847f9e (diff) | |
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Diffstat (limited to 'index.html')
| -rw-r--r-- | index.html | 12 |
1 files changed, 6 insertions, 6 deletions
@@ -446,12 +446,12 @@ <p> The musical circle of fifths, derived from repeatedly stacking the 3:2 proportion, can be studied in more detail in this program's - <u id="pythagorean">Pythagorean</u> scale mode. Similar notes can be - found by color and compared. One can easily hear how stacked fifths - overshoot the octave by finding two far-apart red notes and playing - both at once, which makes them beat against each other. This interval - is the "syntonic comma" which is averaged out in various keyboard - tuning systems. + <u id="pythagorean">Pythagorean</u> scale mode, where each ratio is a + power of 2 or 3. Similar notes can be found by color and compared. One + can easily hear how stacked fifths overshoot the octave by finding two + far-apart red notes and playing both at once, which makes them beat + against each other. This interval is the "syntonic comma" which is + averaged out in various keyboard tuning systems. </p> <p> |