diff options
| author | julian laplace <julescarbon@gmail.com> | 2025-07-22 13:47:07 +0200 |
|---|---|---|
| committer | julian laplace <julescarbon@gmail.com> | 2025-07-22 13:47:07 +0200 |
| commit | a07c033a1a4f80efebe9006f0fa08758ecc07fc7 (patch) | |
| tree | 1f252d1aff6ba24418a3fa71fbc7427a2f16d9b3 | |
| parent | ecd914cfea434cdebebf4cac8502d8e1274e39b3 (diff) | |
copy
| -rw-r--r-- | index.html | 4 |
1 files changed, 2 insertions, 2 deletions
@@ -647,8 +647,8 @@ <p> Within a Pythagorean tuning system, each scale can sound highly distinctive, since the notes will not be distributed evenly across the - octave. In a sense, 12-tone equal temperament "bends" all of the notes - so they are evenly spaced. Fifths in equal temperament are all nearly + octave. In a sense, 12-tone equal temperament bends all of the notes + to make them evenly spaced. Fifths in equal temperament are all nearly pure, making it easy to modulate between keys. By comparison, thirds are quite out of tune compared to a pure ratio (5:4). Equal temperament invokes irrational numbers, creating in-between intervals |
