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| author | julian laplace <julescarbon@gmail.com> | 2025-07-15 18:33:43 +0200 |
|---|---|---|
| committer | julian laplace <julescarbon@gmail.com> | 2025-07-15 18:33:43 +0200 |
| commit | 600b10c48f2eb262eaef36bb36a455e0e626bcce (patch) | |
| tree | 45143aaf59f21ecc6e12ab0c5584f36c60abbf71 | |
| parent | ebe32ff94e68b23b7f95b6e24b91ad6a0a6019c7 (diff) | |
ok
| -rw-r--r-- | index.html | 18 |
1 files changed, 9 insertions, 9 deletions
@@ -646,16 +646,16 @@ <p> Within a Pythagorean tuning system, each scale can sound highly - distinctive, since the notes will not be distributed evenly within the + distinctive, since the notes will not be distributed evenly across the octave. In a sense, 12-tone equal temperament "bends" all of the notes - so they are evenly spaced. Fifths in equal temperament are not quite - pure but close enough, making it easy to modulate between keys. By - comparison, thirds are quite out of tune compared to a pure ratio - (5:4). Equal temperament invokes irrational numbers, creating - in-between intervals which do not exist on the Lambdoma. (Notes in - equal temperament are separated by an irrational ratio of 1 to the - 12th root of 2 (1:<super>12</super>√2), which can only be approximated - by pure fractions.) + so they are evenly spaced. Fifths in equal temperament are all nearly + pure, making it easy to modulate between keys. By comparison, thirds + are quite out of tune compared to a pure ratio (5:4). Equal + temperament invokes irrational numbers, creating in-between intervals + which do not exist on the Lambdoma. (Notes in equal temperament are + separated by an irrational ratio of 1 to the 12th root of 2 + (1:<super>12</super>√2), which can only be approximated by pure + fractions.) </p> <p> |
