diff options
Diffstat (limited to 'frontend/site/projects/museum/views/credits.js')
| -rw-r--r-- | frontend/site/projects/museum/views/credits.js | 181 |
1 files changed, 1 insertions, 180 deletions
diff --git a/frontend/site/projects/museum/views/credits.js b/frontend/site/projects/museum/views/credits.js index 0c49308..e598c82 100644 --- a/frontend/site/projects/museum/views/credits.js +++ b/frontend/site/projects/museum/views/credits.js @@ -4,6 +4,7 @@ import actions from 'site/actions' import { history } from "site/store" +import { CREDITS_STRINGS } from "../constants" import { LastMuseumLogo } from "../icons" import "./credits.css" @@ -83,186 +84,6 @@ const mapStateToProps = state => ({ export default connect(mapStateToProps)(Credits) - -const CREDITS_STRINGS = { - artwork_credits_head: { - en: "ARTWORK CREDITS", - de: "CREDITS DER KUNSTWERKE", - }, - - site_credits: { - en: ` - <div class="credits-rows"> - <div> - <div>Curator:</div> <a href="http://nadimsamman.com/" target="_blank">Nadim Samman</a> - </div> - <div> - <div>Developer:</div> <a href="https://asdf.us/" target="_blank">Jules LaPlace</a> - </div> - <div> - <div>Design:</div> <a href="https://sometimes-always.com/" target="_blank">Sometimes Always</a> - </div> - </div> - <div> - Commissioned by:<br/> - <b>KW Institute for Contemporary Art</b><br/> - Auguststraße 69<br/> - 10117 Berlin<br/> - Tel. +49 30 243459-0<br/> - Fax +49 30 243459-99<br/> - <a href="mailto:info@kw-berlin.de?subject=The+Last+Museum">info@kw-berlin.de</a><br/> - <br/> - KW Institute for Contemporary Art is institutionally supported by the Senate Department for Culture and Europe, Berlin.<br/> - <br/> - The Last Museum is produced in collaboration with Polyeco Contemporary Art Initiative (PCAI), Athens<br/> - <br/> - Press Enquiries:<br/> - Natanja von Stosch<br/> - Tel. +49 30 243459 41<br/> - <a href="mailto:nvs@kw-berlin.de?subject=The+Last+Museum">nvs@kw-berlin.de</a><br/> - Press Releases and Image Material:<br/> - <a href="https://kw-berlin.de/en/press" target="_blank">kw-berlin.de/en/press</a> - </div> - `, - de: ` - <div class="credits-rows"> - <div> - <div>Kurator:</div> <a href="http://nadimsamman.com/" target="_blank">Nadim Samman</a> - </div> - <div> - <div>Entwickler:</div> <a href="https://asdf.us/" target="_blank">Jules LaPlace</a> - </div> - <div> - <div>Design:</div> <a href="https://sometimes-always.com/" target="_blank">Sometimes Always</a> - </div> - </div> - <div> - Im Auftrag von:<br/> - <b>KW Institute for Contemporary Art</b><br/> - Auguststraße 69<br/> - 10117 Berlin<br/> - Tel. +49 30 243459-0<br/> - Fax +49 30 243459-99<br/> - <a href="mailto:info@kw-berlin.de?subject=The+Last+Museum">info@kw-berlin.de</a><br/> - <br/> - Die KW Institute for Contemporary Art werden institutionell gefördert von der Senatsverwaltung für Kultur und Europa, Berlin. - <br/> - The Last Museum wird in Zusammenarbeit mit der Polyeco Contemporary Art Initiative (PCAI), Athen, produziert. - <br/> - Press Enquiries:<br/> - Natanja von Stosch<br/> - Tel. +49 30 243459 41<br/> - <a href="mailto:nvs@kw-berlin.de?subject=The+Last+Museum">nvs@kw-berlin.de</a><br/> - Press Releases and Image Material:<br/> - <a href="https://kw-berlin.de/en/press" target="_blank">kw-berlin.de/en/press</a> - </div> - ` - }, - - artist_credits_1: { - en: ` - <b>Charles Stankievech</b><br/> - <i>The Glass Key</i><br/> - Cinematography, Soundtrack, LIDAR and Ionospheric Recordings, Hypercard Programming: Charles Stankievech<br/> - Fieldwork Recording Assistant: Ala Roushan<br/> - VR Capture thanks to Sudbury Neutrino Laboratory (SNO).<br/> - <br/> - <b>Nora Al-Badri</b><br/> - <i>This Is Not A Hacker Space</i><br/> - Location: C-Base, Berlin, Germany<br/> - Videography: Siska<br/> - Soundtrack mix: Shamsa<br/> - Track mixed in: Cadans - No Connection (Broken Mix)<br/> - Melodic Acapella female sound: Lynn Adib<br/> - poem: Nikki Giovanni ‘Ego Tripping’<br/> - <span style="lineHeight: 1">الأمل</span> Al-Amal/ Hope Mars Mission (via YouTube)<br/> - Special thanks to the Norberta, Gregor and the spaceship crew in Berlin-Mitte; Andy and CCC.<br/> - <br/> - `, - de: ` - <b>Charles Stankievech</b><br/> - <i>The Glass Key</i><br/> - Location: Cosmic Ray Research Station, kanadische Rocky Mountains (Wintersonnenwende)<br /> - Videografie, Sound Design, LIDAR und Ionosphären-Aufnahmen, Hypercard-Programmierung: Charles Stankievech<br/> - Assistent für Feldaufnahmen: Ala Roushan<br/> - VR-Aufnahme dank des Sudbury Neutrino Laboratory (SNO).<br/> - <br/> - <b>Nora Al-Badri</b><br/> - <i>This Is Not A Hacker Space</i><br/> - Location: C-Base, Berlin, Germany<br/> - Videografie: Siska<br/> - Soundtrack-Mix: Shamsa<br/> - Track gemixt in: Cadans - No Connection (Broken Mix)<br/> - Melodische weibliche Acapella-Stimme: Lynn Adib<br/> - Gedicht: Nikki Giovanni ‘Ego Tripping’<br/> - <span style="lineHeight: 1">الأمل</span> Al-Amal/ Hope Mars Mission (via YouTube)<br/> - Ein besonderer Dank geht an Norberta, Gregor und die Raumschiff-Crew in Berlin-Mitte; Andy und CCC.<br/> - <br/> - `, - }, - - artist_credits_2: { - en: ` - <b>Juliana Cerqueira Leite</b><br/> - <i>Untitled</i><br/> - Location: Santa Ifigênia, São Paulo, Brazil.<br/> - Videography & Sound design: Juliana Cerqueira Leite<br/> - Camera: Yllan Carvalho<br/> - Driver & Sculpture Grip: Raul Fiuza<br/> - Location Scouting & Support: Junae Andreazza<br/> - Thanks to: Andy Cabos & Wellington Xavier<br/> - Econote, ZWP Informática, Cenateca<br/> - Erica Ferrari & Cacá Mousinho<br/> - and the community of Santa Ifigênia<br/> - <br/> - <b>Zohra Opoku</b><br/> - <i>The Myths of Eternal Life</i><br/> - Videography & Sound Design: Zohra Opoku<br/> - Location: Unfinished mortuary, Accra, Ghana.<br/> - <br/> - <b>Nicole Foreshew</b><br/> - <i>Dhurany Yanggu</i>
(message song of running water)<br/> - Location: Gumbaynggirr Country, Northern Tablelands and Northern Rivers districts of New South Wales, Australia.<br/> - Videography & Sound Design: Nicole Foreshew<br/> - <br/> - <b>Jakrawal Nilthamrong</b><br/> - <i>Barn Burner</i> <br/> - Location: Doi Luang Chiang Dao, Chiang Mai, Thailand. <br/> - Videography & Sound Design: Jakrawal Nilthamrong<br/> - Sculptor: Julladit Sittibanjerd - `, - de: ` - <b>Juliana Cerqueira Leite</b><br/> - <i>Untitled</i><br/> - Location: Santa Ifigênia, São Paulo, Brasilien<br/> - Videografie & Sound Design: Juliana Cerqueira Leite <br/> - Kamera: Yllan Carvalho<br/> - Fahrer & Skulpturengriff: Raul Fiuza<br/> - Location Scouting & Support: Junae Andreazza<br/> - Dank an: Andy Cabos & Wellington Xavier<br/> - Econote, ZWP Informática, Cenateca<br/> - Erica Ferrari & Cacá Mousinho<br/> - und die Community von Santa Ifigênia<br/> - <br/> - <b>Zohra Opoku</b><br/> - <i>The Myths of Eternal Life</i><br/> - Videografie & Sound Design: Zohra Opoku<br/> - Location: Unvollendete Leichenhalle, Accra, Ghana.<br/> - <br/> - <b>Nicole Foreshew</b><br/> - <i>Dhurany Yanggu</i>
(Botschaftslied des fließenden Wassers)<br/> - Location: Gumbaynggirr Country, Northern Tablelands und Northern Rivers Regionen von New South Wales, Australien.<br/> - Videografie & Sound Design: Nicole Foreshew<br/> - <br/> - <b>Jakrawal Nilthamrong</b><br/> - <i>Barn Burner</i> <br/> - Location: Doi Luang Chiang Dao, Chiang Mai, Thailand. <br/> - Videografie & Sound Design: Jakrawal Nilthamrong <br/> - Bildhauerin: Julladit Sittibanjerd - `, - } -} - /* Sources:<br/> René Magritte, <i>The Glass Key (La clef de verre)</i>, 1959, oil on canvas.<br/> |