diff options
| author | okfprojz <jules+okfprojz@okfoc.us> | 2016-04-12 19:59:12 -0400 |
|---|---|---|
| committer | okfprojz <jules+okfprojz@okfoc.us> | 2016-04-12 19:59:12 -0400 |
| commit | ee2dbfec14e8b10e014f2b17a03dea643a512e5d (patch) | |
| tree | 57734d9b0fee339aa15b588c8ad208e0e83946a7 | |
| parent | f3540ced890684793b40a36c1b30e747ef61b775 (diff) | |
db
| -rw-r--r-- | db.json | 115 |
1 files changed, 79 insertions, 36 deletions
@@ -48,7 +48,7 @@ "alternateTitle": "Portfolio Website", "year": 2016, "client": "Annapurna Pictures", - "link": "http://annapurna.pictures/", + "link": "http://159.203.133.91/", "NatureOfWork": "Web Development\r\nGraphic Design\r\nBack-End Development", "brief": "Annapurna Pictures is one of\r\nthe world’s leading production\r\ncompanies – with titles such as\r\nSpring Breakers and Zero Dark\r\nThirty. We created a site to show\r\noff all their amazing projects. Often\r\ntimes we build bespoke back-ends\r\nto match the specific needs of the\r\ncontent, as opposed to using an off\r\nthe shelf template. This allows us\r\nto be very flexible and create sites\r\nunlike any other.", "media": [ @@ -83,7 +83,7 @@ "client": "Stone Island", "link": "https://itunes.apple.com/us/app/stone-island/id1064359099?mt=8", "NatureOfWork": "iPhone / Android Dev\r\nBack-End Development", - "brief": "Stone Island is a premier Italian fashion\r\nlabel specializing in sportswear made\r\nwith innovative materials. We created an\r\ne-commerce app for iPhone and Android\r\nwith a custom back-end allowing the\r\nbrand to push out new releases.", + "brief": "Stone Island is a premier Italian fashion\r\nlabel specializing in sportswear made\r\nwith innovative materials. We created an\r\ne-commerce app for iPhone and Android\r\nwith a custom back-end allowing the\r\nbrand to push out new releases. Also included is an in depth archive going back over 30 years, giving fans/consumers reason to get the app beyond just shopping.", "containImage": "true", "__index": 1, "dateCreated": "Sun, 03 Apr 2016 18:40:41 GMT", @@ -127,17 +127,17 @@ "media": [ { "uri": "https://ltho.s3.amazonaws.com/d985ec45-d5e5-4ab5-a60f-af42b18a0859.jpg", - "caption": "", + "caption": "background-size:contain;", "type": "image" }, { "uri": "https://ltho.s3.amazonaws.com/5fd898ee-c83f-4b59-a013-4596e685af8e.png", - "caption": "background-position:center", + "caption": "background-position:center;background-size:contain;", "type": "image" }, { "uri": "https://ltho.s3.amazonaws.com/12eaa8d4-328e-45e5-bd54-3ac2125d4956.png", - "caption": "", + "caption": "background-size:contain;", "type": "image" } ], @@ -211,7 +211,7 @@ "client": "OKFocus", "link": "http://timesnewramen.com/", "NatureOfWork": "Type Design\r\nViral Media\r\nNoodle Consumption", - "brief": "In house font created to be the “most noodly serif font ever.”", + "brief": "Based on Times New Roman, Times New Ramen is arguably “most noodly serif font ever.” We created this font and released it into the world for free to make our love for typography and noodles known – the rest is history. Download Times New Ramen today!", "media": [ { "uri": "http://timesnewramen.com/typer", @@ -241,7 +241,7 @@ } ], "linkText": "timesnewramen.com", - "whiteCursor": false, + "whiteCursor": true, "hideProject": false, "disabled": false }, @@ -256,8 +256,13 @@ "brief": "Soylent is a food product in the form of\r\na powder that boldly claims to be able\r\nto fortify all your nutritional needs –\r\neffectively replacing food. They came\r\nto us with a tinfoil bag with a poorly\r\ndesigned sticker affixed to it. In turn,\r\nwe built them a powerful brand that put\r\nfunction first – highlighting the product’s\r\nutilitarian appeal. We defined a new\r\nbrand for them. Including a 77 page indepth\r\nbrand-book, package design. Today,\r\nSoylent has raised over 10 Million dollars,\r\nhas over 200,000 online subscribers and\r\nis about to launch retail nationwide", "media": [ { + "uri": "https://ltho.s3.amazonaws.com/portfolio/a9775230-00ec-11e6-8919-558e5e9bf555.png", + "caption": "background-size:contain", + "type": "image" + }, + { "uri": "https://ltho.s3.amazonaws.com/a2f458ca-4fa0-4441-8d50-e43bddfcaa76.png", - "caption": "background-size:cover", + "caption": "background-size:60%;background-position:center;", "type": "image" }, { @@ -334,14 +339,14 @@ "disabled": false }, { - "id": "two-hustlers-", - "title": "Two Hustlers ", + "id": "two-hustlers", + "title": "Two Hustlers", "alternateTitle": "Portfolio Website", "year": 2015, "client": "Two Hustlers", "link": "http://twohustlers.com/", "NatureOfWork": "Creative Direction\r\nGraphic Design\r\nBack-end Development", - "brief": "Headed by Nicola Formichetti, Two\r\nHustlers is a creative agency who\r\nleads direction for brands such as\r\nH&M, Diesel, Mugler, Lady Gaga,\r\nMAC and others. We build them a\r\nsick website with this crazy pure CSS\r\n3D fractured orb, the site is built\r\nbespoke, with our own CMS.", + "brief": "Headed by Nicola Formichetti, Two\r\nHustlers is a creative agency who\r\nleads direction for brands such as\r\nH&M, Diesel, Mugler, Lady Gaga,\r\nMAC and others. We build them a\r\nwebsite to show off their projects with a centerpiece that displays a little slice of their work. These animation techniques are some of the most bleeding edge, and the entire site is built\r\nbespoke, with our own CMS.", "media": [ { "uri": "http://twohustlers.com/", @@ -377,7 +382,7 @@ "brief": "Alone Together was a site-specific\r\nexhibition for Red Bull Studios. As\r\nboth sculpture and performance,\r\nAlone Together acts as a microcosm\r\nof the Internet, suggesting the\r\nfollowing paradox – the more\r\nconnected we are online, the more\r\nphysically withdrawn we become.", "media": [ { - "uri": "https://ltho.s3.amazonaws.com/bcc85925-1cc3-435e-abaf-e909fe882d7a.gif", + "uri": "https://ltho.s3.amazonaws.com/portfolio/04d585a0-00bd-11e6-8919-558e5e9bf555.png", "caption": "background-size:contain", "type": "image" }, @@ -385,6 +390,36 @@ "uri": "https://ltho.s3.amazonaws.com/521a93f5-886a-49a1-8d58-f720d4e6eb62.jpg", "caption": "background-size:contain", "type": "image" + }, + { + "uri": "https://ltho.s3.amazonaws.com/bcc85925-1cc3-435e-abaf-e909fe882d7a.gif", + "caption": "background-size:contain", + "type": "image" + }, + { + "uri": "https://ltho.s3.amazonaws.com/portfolio/bdbafa80-00bf-11e6-8919-558e5e9bf555.jpg", + "caption": "background-size:contain", + "type": "image" + }, + { + "uri": "https://ltho.s3.amazonaws.com/portfolio/37a380e0-00bd-11e6-8919-558e5e9bf555.jpg", + "caption": "background-size:contain;background-color:white;", + "type": "image" + }, + { + "uri": "https://ltho.s3.amazonaws.com/portfolio/43861b20-00bd-11e6-8919-558e5e9bf555.png", + "caption": "background-size:20%;background-color:white;background-position:center;", + "type": "image" + }, + { + "uri": "https://ltho.s3.amazonaws.com/portfolio/5a3d0200-00bf-11e6-8919-558e5e9bf555.png", + "caption": "background-size:contain", + "type": "image" + }, + { + "uri": "https://ltho.s3.amazonaws.com/portfolio/1cd2f640-00bf-11e6-8919-558e5e9bf555.png", + "caption": "background-size:contain;", + "type": "image" } ], "containImage": "true", @@ -491,7 +526,7 @@ "client": "Diesel", "link": "", "NatureOfWork": "Design\r\n3D Animation\r\nCreative Direction", - "brief": "Working with Nicola Formichetti\r\nand Nick Knight, we facilitated video\r\nconcepts and post production on\r\nthe Fall / Winter 2014 ad campaign\r\nfor Diesel. The imagery was surreal\r\nand fractured – creating sculpture\r\nout of human form and exaggerating\r\nmodels' features.", + "brief": "Working with Nicola Formichetti\r\nand Nick Knight, we facilitated video\r\nconcepts and post production on\r\nthe Fall / Winter 2014 ad campaign\r\nfor Diesel. The imagery was surreal\r\nand fractured – creating sculpture\r\nout of human form and exaggerating\r\nmodels' features. Look closely at the image above, it moves in subtle ways, these videos were used as displays in store.", "containImage": "true", "__index": 10, "dateCreated": "Sun, 03 Apr 2016 19:50:33 GMT", @@ -502,7 +537,7 @@ "uri": "", "width": "1280", "height": "902", - "title": "loop6.mp4", + "title": "background:#222", "thumb": "http://okfocus.s3.amazonaws.com/misc/okcms/video.png" } ], @@ -795,7 +830,7 @@ "mobileTitle": "", "mobileMedia": [ { - "uri": "https://ltho.s3.amazonaws.com/ff8732a5-764b-4b14-8d66-3d66206d933f.png", + "uri": "https://ltho.s3.amazonaws.com/portfolio/231a25a0-003d-11e6-8919-558e5e9bf555.gif", "caption": "", "type": "image" } @@ -829,8 +864,8 @@ "linkText": "1948london.com", "mobileMedia": [ { - "uri": "https://ltho.s3.amazonaws.com/c014af1f-4d79-4191-bda0-8150dd5a2ec1.png", - "caption": "", + "uri": "https://ltho.s3.amazonaws.com/portfolio/0da8c4d0-0040-11e6-8919-558e5e9bf555.gif", + "caption": "background-size:contain;\r\nbackground-position:center;", "type": "image" } ], @@ -849,9 +884,13 @@ "brief": "In collaboration with Instagram to launch\r\ntheir new video feature, Treasure Dance\r\nwas an interactive Bruno Mars music\r\nvideo where users would submit their\r\nown dances with a hash-tag to collectively\r\njoin the video. We built a custom back-end\r\nfor Atlantic Records where they could\r\napprove and disapprove videos pulled\r\nfrom Instagram API.", "media": [ { - "uri": "https://ltho.s3.amazonaws.com/e121df1f-73f1-4e32-ae2f-62a42dd6e39c.png", - "caption": "", - "type": "image" + "type": "video", + "token": "https://ltho.s3.amazonaws.com/portfolio/treasure-dance-iMac-video.mp4", + "uri": "", + "width": "1920", + "height": "1080", + "title": "background-color:white", + "thumb": "http://okfocus.s3.amazonaws.com/misc/okcms/video.png" } ], "containImage": "false", @@ -869,9 +908,16 @@ "dateCreated": "Sun, 03 Apr 2016 21:05:44 GMT", "mobileTitle": "", "linkText": "treasuredance.com", - "mobileMedia": [], - "whiteCursor": true, - "hideProject": false + "mobileMedia": [ + { + "uri": "https://ltho.s3.amazonaws.com/e121df1f-73f1-4e32-ae2f-62a42dd6e39c.png", + "caption": "", + "type": "image" + } + ], + "whiteCursor": false, + "hideProject": false, + "disabled": false }, { "id": "newmoticons", @@ -1451,7 +1497,7 @@ "media": [ { "uri": "https://ltho.s3.amazonaws.com/ec691717-52c8-4a7c-9328-8a39eacdebb7.png", - "caption": "background-size: 99%", + "caption": "background-size: 70%;background-position:center;background-color:white;", "type": "image" } ], @@ -1463,7 +1509,8 @@ "linkText": "", "mobileMedia": [], "whiteCursor": false, - "hideProject": false + "hideProject": false, + "disabled": false }, { "id": "dump-fm", @@ -1518,27 +1565,23 @@ { "id": "introduction", "title": "Introduction", - "body": "Form without function is bad. Being an artist these days has a lot to do with who you hangout with. Both my parents have their portraits by Warhol. I was born in 1986. I create physical work to freeze a moment of internet time. Being antisocial is cool now. People no longer look up from screens. I love animals, especially cats and llamas. OKFocus was started in 2011 after I creative directed VFiles and before I bought a 1987 BMW convertible but after I rewrote Ginsberg's Howl for the internet generation. I invented sea-punk as well as vapor-wave. I made a site in 2010 that allowed people to communicate in real-time with images, it hosts over 2 million images and is still running, Facebook probably got the idea of real-time fav notifications from us. Before that in 2009 I created an online museum for early internet graphics, after that I worked for M.I.A. pontificating online with her many nights at 2am. My girlfriend says I should be less braggy in this writing. I am considering writing a passage about her as a response. Tweets killed books. Images killed tweets. Clickbait killed images. I played Doom through a dial-up modem in 1995. I made earnest 3d graphics of dolphins jumping through hoops in Adobe Photoshop 3.0.I rewrote Ginsberg’s Howl for the internet generation. You can not call yourself a creative director unless you could take the place of anyone under your command, someone one told me that. I write CSS because it’s efficient. We create our own backends because templates don’t understand us as individuals. I strive to be understood as a human and as media. Good work exists outside of trends. Trends are just over simplifications of a pithy new things. I once tried to create luxury email in 2008. When asked to make Burberry “cooler” on the internet in I thought about what between luxury goods and the internet were at odds. I told a creative director that a luxury good is something those with enough money can stroll into a store and buy, while status online isn’t as the same. Online clout comes from having a lot of followers or a Wikipedia entry, things that have little connection to what an individual can or can not afford. I explained this and introduced a concept that I felt was genius. I told him that we needed to merge these two disparate worlds, and create luxury email. That’s right, for $30,000 consumers could purchase a Burberry email address, to flaunt their wealth and status within the virtual world. The creative director looked me right in the eye, with inexcusable disgust and plainly said, “that’s the worst idea i’ve ever heard” the following day I quit working at that agency and have been my own boss since – still on a mission to make luxury email a thing and innovate culture through multiple disciplines online. I had asthma, then I quit smoking. On my desk I have a large piece of driftwood. I am the only person you will ever meet who has spoken at RISD and never been fly fishing. Who has worked with Kanye West, The Wolfsonian Museum, Mike Will Made-It and spoken at The Smithsonian. I am not a rapper... ", + "body": "Form without function is bad. Being an artist these days has a lot to do with who you hangout with. Both my parents have their portraits by Warhol. I was born in 1986. I create physical work to freeze a moment of internet time. Being antisocial is cool now. People no longer look up from screens. I love animals, especially cats and llamas. OKFocus was started in 2011 after I creative directed VFiles and before I bought a 1987 BMW convertible but after I rewrote Ginsberg's Howl for the internet generation. I invented sea-punk as well as vaporwave. I made a site in 2010 that allowed people to communicate in real-time with images, it hosts over 2 million images and is still running, Facebook probably got the idea of real-time fav notifications from us. Before that in 2009 I created an online museum for early internet graphics, after that I worked for M.I.A. pontificating online with her many nights at 2am. My girlfriend says I should be less braggy in this writing. I am considering writing a passage about her as a response. Tweets killed books. Images killed tweets. Clickbait killed images. I played Doom through a dial-up modem in 1995. I made earnest 3d graphics of dolphins jumping through hoops in Adobe Photoshop 3.0.I rewrote Ginsberg’s Howl for the internet generation. You can not call yourself a creative director unless you could take the place of anyone under your command, someone one told me that. I write CSS because it’s efficient. We create our own backends because templates don’t understand us as individuals. I strive to be understood as a human and as media. Good work exists outside of trends. Trends are just over simplifications of a pithy new things. I was once in a boyband called HDBOYZ. I am the only member of a boy band who is also proficient in both CSS3 and has shot a campaign for Marc Jacobs. I once tried to create luxury email in 2008. When asked to make Burberry “cooler” on the internet in I thought about what between luxury goods and the internet were at odds. I told a creative director that a luxury good is something those with enough money can stroll into a store and buy, while status online isn’t as the same. Online clout comes from having a lot of followers or a Wikipedia entry, things that have little connection to what an individual can or can not afford. I explained this and introduced a concept that I felt was genius. I told him that we needed to merge these two disparate worlds, and create luxury email. That’s right, for $30,000 consumers could purchase a Burberry email address, to flaunt their wealth and status within the virtual world. The creative director looked me right in the eye, with inexcusable disgust and plainly said, “that’s the worst idea i’ve ever heard” the following day I quit working at that agency and have been my own boss since – still on a mission to make luxury email a thing and innovate culture through multiple disciplines online. I had asthma, then I quit smoking. On my desk I have a large piece of driftwood. I am the only person you will ever meet who has spoken at RISD, knows how to pickle peppers and can write CSS with their eyes closed. Who has worked with Kanye West, The Wolfsonian Museum, Mike Will Made-It and spoken at The Smithsonian. I am not a rapper, but I do have a rap song dedicated to Tory Burch. My name has been published in 6 books, three of which are not in english. My mom makes the best chicken soup in the world, I made a documentary about it when I was 15, it aired on public television. I think microscopes and telescopes are equally as cool. I literally don’t know how the universe started but I would sure like to find out, but at the same time wonder if that would even be gratifying. I am looking for new experiences, to become a better person, to help others, to have fun, to be honest, to contribute something new, to be myself, to love and be loved and I am glad you are reading this. Please don't hesitate to ask questions.", "press": [ { "text": "New York Times", "uri": "http://www.nytimes.com/2014/07/10/fashion/ryder-ripps-an-artist-of-the-internet.html" }, { - "text": "Details Magazine", - "uri": "" - }, - { - "text": "Vice", - "uri": "" - }, - { "text": "Creators Project", "uri": "http://thecreatorsproject.vice.com/okfocus/okfocus" }, { "text": "The Fader", "uri": "http://www.thefader.com/2013/12/04/creative-agency-okfocus-jogging-tobe/" + }, + { + "text": "Vice", + "uri": "http://www.vice.com/read/looking-into-the-instagram-abyss-with-artist-ryder-ripps-111" } ], "speakers": "RISD, AIGA, Semi-Permanent, SXSW, Sotheby’s, Goethe Institut, Smithsonian, OTIS College", @@ -1548,11 +1591,11 @@ "accolades": [ { "text": "Forbes Magazine, 30 Under 30", - "uri": "" + "uri": "http://www.forbes.com/30-under-30-2016/art-style/#47433d5d23c5" }, { "text": "Advertising Age, Creativity 50", - "uri": "" + "uri": "http://adage.com/article/creativity-50/ryder-ripps-jonathan-vingiano-founders-okfocus/235806/" } ] } |
