From f0fd04f18d6bb1d0cbf29d5d8fcae1647daa6bbc Mon Sep 17 00:00:00 2001
From: julian laplace
I later learned that I had recreated the Lambdoma as described by Barbara Hero. Hero made an - electronic lambdoma instrument for sound healing purposes. Hero traces + electronic lambdoma instrument for sound healing purposes. She traces the Lambdoma back to the Introduction to Arithmetic by depicts it - in his Die harmonikale Symbolik des Alterthums (1876). In the - Lambdoma, Hero also sees the image of Georg Cantor's transfinite set - of rational numbers, which are shown to be countable through use of a - Cartesian plot. More can be read in Hero's + in Die harmonikale Symbolik des Alterthums (1876). More can be + read in Hero's article, The Lambdoma Matrix and Harmonic Intervals (1999). + >, The Lambdoma Matrix and Harmonic Intervals (1999). In the + Lambdoma, Hero also sees the image of Georg Cantor's transfinite set + of rational numbers ℚ, which Cantor showed to be countably infinite + through use of a Cartesian plot (versus the uncountable continuity of + real numbers ℝ).
With the root, fifth, and fourth in the top-left corner, the Lambdoma shows how the 3/2 proportion is essential to the perception of consonance. The musical circle of fifths, derived from these simple - proportions, can be studied in more detail in "Pythagorean" mode, - where related intervals can be found by color and compared. + proportions, can be studied in more detail in "Pythagorean" mode. + Similar notes can be found by color and compared, and one can easily + hear how stacked fifths overshoot the octave by finding the next red + note.