From b7d94f2428b1adb6fdfb3c65bb4b9c0337b74c7d Mon Sep 17 00:00:00 2001 From: Jules Laplace Date: Fri, 16 Apr 2021 21:58:58 +0200 Subject: artist statements --- frontend/site/projects/museum/views/artists.css | 3 --- frontend/site/projects/museum/views/artists.js | 6 ++--- frontend/site/projects/museum/views/credits.css | 30 +++++++++++++++++++++++++ frontend/site/projects/museum/views/credits.js | 4 +++- frontend/site/projects/museum/views/essay.css | 12 +++++++++- frontend/site/projects/museum/views/essay.js | 22 ++++++++++++++++-- 6 files changed, 66 insertions(+), 11 deletions(-) (limited to 'frontend/site/projects/museum/views') diff --git a/frontend/site/projects/museum/views/artists.css b/frontend/site/projects/museum/views/artists.css index c2350a6..a327e19 100644 --- a/frontend/site/projects/museum/views/artists.css +++ b/frontend/site/projects/museum/views/artists.css @@ -69,13 +69,10 @@ pointer-events: none; } .page-artists .artist-detail.visible { - color: #000; - background: #FF790D; pointer-events: auto; opacity: 1; } .page.page-artists .artist-detail.visible a { - color: #000; } .page-artists .artist-detail-name { diff --git a/frontend/site/projects/museum/views/artists.js b/frontend/site/projects/museum/views/artists.js index 591b1d5..be39d61 100644 --- a/frontend/site/projects/museum/views/artists.js +++ b/frontend/site/projects/museum/views/artists.js @@ -86,7 +86,7 @@ export default class Artists extends Component {
{ArrowLeft}
{ArrowRight}
-
+
Home
@@ -102,9 +102,7 @@ const ArtistDetail = ({ artist, index, isCurrent, onClose }) => {
-
- -
+
{artist.name} diff --git a/frontend/site/projects/museum/views/credits.css b/frontend/site/projects/museum/views/credits.css index d7c6f35..96fff13 100644 --- a/frontend/site/projects/museum/views/credits.css +++ b/frontend/site/projects/museum/views/credits.css @@ -14,6 +14,9 @@ text-decoration: none; font-weight: bold; } +.page a:hover { + text-decoration: underline; +} .page-title { font-family: 'Druk'; font-style: italic; @@ -37,6 +40,25 @@ /* credits */ +.app > div.page.page-credits { + background: #FF790D; + color: #000; +} +.app > div.page.page-credits .page-title { + color: #fff; + text-shadow: 0 0 5px #000; +} + +.app > div.page.page-credits .home-link { + color: #000; +} +.app > div.page.page-credits .home-link:hover { + color: #fff; +} +.app > div.page.page-credits a { + color: #000; +} + .page-left { width: 33%; } @@ -99,3 +121,11 @@ height: 4rem; } +.page-credits .page-title { + padding-top: 1rem; + width: 100%; + text-align: center; +} +.page-credits .page-title svg { + width: calc(100vw - 12rem); +} diff --git a/frontend/site/projects/museum/views/credits.js b/frontend/site/projects/museum/views/credits.js index fd17045..4e2404d 100644 --- a/frontend/site/projects/museum/views/credits.js +++ b/frontend/site/projects/museum/views/credits.js @@ -3,6 +3,8 @@ import actions from 'site/actions' import { history } from "site/store" +import { LastMuseumLogo } from "../icons" + import "./credits.css" export default class Credits extends Component { @@ -29,7 +31,7 @@ export default class Credits extends Component { render() { return (
-
The Last Museum
+
{LastMuseumLogo}
CREDITS
diff --git a/frontend/site/projects/museum/views/essay.css b/frontend/site/projects/museum/views/essay.css index 0cc66a9..129c768 100644 --- a/frontend/site/projects/museum/views/essay.css +++ b/frontend/site/projects/museum/views/essay.css @@ -28,6 +28,12 @@ justify-content: flex-start; padding-bottom: 10vh; } +.page-essay .page-content.artist-statement { + padding-bottom: 5vh; +} +.page-essay .nilthamrong .page-content.artist-statement { + padding-bottom: 10vh; +} .page-essay .page-title { cursor: pointer; font-size: 10vw; @@ -81,7 +87,7 @@ stroke-miterlimit: 10; stroke-linecap: round; stroke-linejoin: round; - fill: transparent + fill: transparent; } .globe .globe-image { position: relative; @@ -93,3 +99,7 @@ font-size: 2vw; cursor: pointer; } + +.page a.jules-link { + font-weight: normal; +} \ No newline at end of file diff --git a/frontend/site/projects/museum/views/essay.js b/frontend/site/projects/museum/views/essay.js index ddfbfcb..5e98822 100644 --- a/frontend/site/projects/museum/views/essay.js +++ b/frontend/site/projects/museum/views/essay.js @@ -107,16 +107,34 @@ const EssayDetail = props => { switch (props.essayId) { case 'nadim': return + case 'statements': + return } } +const ArtistStatements = ({ essayId, index, isCurrent, onClose }) => ( +
+
ARTIST STATEMENTS
+

+ {ARTIST_ORDER.map((key, index) => { + const artist = ARTISTS[key] + return ( +
+
{artist.name}
+
+
+ ) + })} +
+) + const NadimEssay = ({ essayId, index, isCurrent, onClose }) => (
About The Last Museum
By Nadim Samman

- The Last Museum is an exhibition that explores productive tensions between the putative ‘anywhere’ of the digital and its relation to local particulars. Deploying a hybrid offline-online format, the project invites an international group of artists to reimagine site-specificity, through a sequence of interventions that cut across both real and virtual domains. The artists are Nora Al-Badri (Germany/Iraq), Juliana Cerqueira Leite (Brazil), Nicole Foreshew (Wiradjuri Nation/Australia), Jakrawal Nilthamrong (Thailand), Zohra Opoko (Ghana), and Charles Stankievech (Canada). + The Last Museum is an exhibition that explores productive tensions between the putative ‘anywhere’ of the digital and its relation to local particulars. Deploying a hybrid offline-online format, the project invites an international group of artists to reimagine site-specificity, through a sequence of interventions that cut across both real and virtual domains. The artists are Nora Al-Badri (Germany/Iraq), Juliana Cerqueira Leite (Brazil), Nicole Foreshew (Wiradjuri Nation/Australia), Jakrawal Nilthamrong (Thailand), Zohra Opoko (Ghana), and Charles Stankievech (Canada).

@@ -126,7 +144,7 @@ const NadimEssay = ({ essayId, index, isCurrent, onClose }) => ( Each artist was commissioned to author a sculptural group, to be installed at an outdoor site of their own choosing. The choice was only limited by a request that it be associated with communication and connectivity. Final choices ended up highlighting both technical and more esoteric forms of transmission—and included a notorious hacker hangout (Berlin’s C-base), ancestral land in rural Australia, a down-at-heel electronics mall in downtown Sao Paolo, a neutrino observatory in the Rocky Mountains, and more.

- Each sculptural intervention was videoed by the artists, and the resulting clips (from all over the world) were handed over to a digital artist, Jules LaPlace, who brought them together through a digital way-finding protocol; the exhibition’s ‘hang’. The public outcome, debuting as a pop-up window on the KW start page, is a website experience that unfolds as an interactive sequence of objects and places, navigable using bespoke tools. At times, these tools amount to additional (digital) artworks. Visitors will have a sense that that the exhibition is a wormhole, of sorts. + Each sculptural intervention was videoed by the artists, and the resulting clips (from all over the world) were handed over to a digital artist, Jules LaPlace, who brought them together through a digital way-finding protocol; the exhibition’s ‘hang’. The public outcome, debuting as a pop-up window on the KW start page, is a website experience that unfolds as an interactive sequence of objects and places, navigable using bespoke tools. At times, these tools amount to additional (digital) artworks. Visitors will have a sense that that the exhibition is a wormhole, of sorts.

Some of the featured locations are associated with infrastructure and the World Wide Web, others include waterways and climate. Uniting these seemingly disparate aspects, a conceptual leitmotif of visually grounding planetary networks and other globe-spanning systems will be evident. Call it a web-site-specific project—in the sense that both art and exhibition design re-imagines the stakes of ‘site-specificity’ for digital times. What this means is that The Last Museum’s ‘site’ is a layered reality or (to borrow a term from computational engineering) a ‘Stack’. Our exhibition-stack encompasses material facts on the ground, digital code, and softer site specificities—including those previously outlined by the art historian Miwon Kwon, such as ‘cultural debates, a theoretical concept, a historical condition, even particular formations of desire’. Each artwork in The Last Museum is a kind of a vector that intersects with all of the stack’s layers. -- cgit v1.2.3-70-g09d2