From d07dc22cbfe3b269c8f7a8e255678434a6f7c5bb Mon Sep 17 00:00:00 2001 From: Jules Laplace Date: Tue, 13 Apr 2021 17:01:22 +0200 Subject: 6 june 6 --- frontend/site/projects/museum/views/essay.js | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) (limited to 'frontend/site/projects/museum/views/essay.js') diff --git a/frontend/site/projects/museum/views/essay.js b/frontend/site/projects/museum/views/essay.js index 81a264c..0a70c4e 100644 --- a/frontend/site/projects/museum/views/essay.js +++ b/frontend/site/projects/museum/views/essay.js @@ -134,7 +134,7 @@ const NadimEssay = ({ essayId, index, isCurrent, onClose }) => ( At its core, The Last Museum explores how tangibility and distance interact, how things that seem fixed in place might (or do) escape in various forms. In a sense, then, it it clear that we are dealing with an issue as old as art itself (albeit, employing contemporary tools). At least one of the exhibition’s artists, Zohra Opoko, explicitly takes up an art-historical precursor for the crossing of spatial and metaphysical thresholds. The Egyptian Book of the Dead is her inspiration for a series of interventions in a half-built mortuary in Accra, Ghana. Draped with screen-printed fabric, the unfinished site is (literally) shrouded in images that stimulate reflection on how stillness and passage come together. In this work and more, the The Last Museum hovers somewhere between life and death, lockdown and escape.

- The Last Museum launches 30 April and runs until 6 June 6, 2021, at www.kw-berlin.de. + The Last Museum launches 30 April and runs until 6 June, 2021, at www.kw-berlin.de.

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