From ed5cbb01cecc69a6ec1ac43913b8538822a62e8d Mon Sep 17 00:00:00 2001 From: Jules Laplace Date: Fri, 16 Apr 2021 22:17:13 +0200 Subject: credits --- frontend/site/projects/museum/constants.js | 2 +- frontend/site/projects/museum/views/credits.css | 8 ++--- frontend/site/projects/museum/views/credits.js | 42 +++++++++++++++++-------- 3 files changed, 34 insertions(+), 18 deletions(-) diff --git a/frontend/site/projects/museum/constants.js b/frontend/site/projects/museum/constants.js index ffa96c4..5c9cca0 100644 --- a/frontend/site/projects/museum/constants.js +++ b/frontend/site/projects/museum/constants.js @@ -113,7 +113,7 @@ export const ARTISTS = { www.stankievech.net

- Charles Stankievech (b. 1978, Canada) is an artist whose research has explored issues such as the notion of “fieldwork” in the embedded landscape, the military industrial complex, and the history of technology. His diverse body of work has been shown internationally at the Louisiana Museum, Copenhagen; Palais de Tokyo, Paris; Haus der Kulturen der Welt, Berlin; MassMoca, Massachussetts; Musée d’art contemporain de Montréal; Canadian Centre for Architecture; and the Venice Architecture and SITE Santa Fe Biennales. His lectures for Documenta 13 and the 8th Berlin Biennale were as much performance as pedagogy while his writing has been published in academic journals by MIT and Princeton Architectural Press. His idiosyncratic and obsessively researched curatorial projects include Magnetic Norths at the Leonard & Bina Ellen Gallery, Concordia University and CounterIntelligence at the Justina M. Barnicke Gallery, University of Toronto. From 2010-2011 (and again currently from 2014-15) he was hired as a private contractor for the Department of National Defense where he conducted independent research in intelligence operations under the rubric of the CFAP.  He was a founding faculty member of the Yukon School of Visual Arts in Dawson City, Canada and is currently an Assistant Professor in the Daniels Faculty of Architecture, Landscape and Design at the University of Toronto.  Since 2011, he has been co-director of the art and theory press K. Verlag in Berlin. + Charles Stankievech (b. 1978, Canada) is an artist whose research has explored the notion of “fieldwork” in the embedded landscape, the military industrial complex, and geopolitics. His diverse body of work has been shown internationally at institutions including the Louisiana Museum of Modern Art, Copenhagen; Palais de Tokyo, Paris; Haus der Kulturen der Welt, Berlin; National Gallery of Canada, Ottawa; Thyssen-Bornemisza Art Contemporary, Vienna; MASS MoCA; Musée d’art contemporain de Montréal; Canadian Centre for Architecture, Montreal; and the Venice and SITE Santa Fe Biennales, among others. He’s lectured at dOCUMENTA (13) and the 8th Berlin Biennale and his writing has been published by Sternberg, eflux, Verso, MIT and Princeton Architectural Press. Stankievech has participated in such residencies as The Banff Centre, Fogo Island, Marfa Fieldwork, Atlantic Centre for the Arts, Museumsquartier Vienna, and the Canadian Military. His comprehensively researched curatorial projects include Magnetic Norths and CounterIntelligence—critically acclaimed and award winning exhibitions of 2010 and 2014 respectively. In 2015 he won the OAAG award for best solo exhibition Monument as Ruin. He is an editor of Afterall Journal out of London, and in 2011 founded the art and theory press K. in Berlin. In 2007 he was a founding faculty member of the Yukon School of Visual Arts in Dawson City, Canada (under joint governance by the indigenous sovereign nation of Tr'ondëk Hwëch'in). He is an Associate Professor in the Faculty of Architecture, Landscape and Design at the University of Toronto.

`, statement: ` diff --git a/frontend/site/projects/museum/views/credits.css b/frontend/site/projects/museum/views/credits.css index 96fff13..e39cf97 100644 --- a/frontend/site/projects/museum/views/credits.css +++ b/frontend/site/projects/museum/views/credits.css @@ -110,15 +110,15 @@ flex-direction: row; justify-content: flex-start; align-items: center; - padding: 1vw 0; + padding: 3vh 0 6vh 0; text-align: center; } .page-credits .icons img { - height: 2.7rem; - margin-right: 2rem; + height: 7vh; + margin-right: 5vh; } .page-credits .icons img.pcai { - height: 4rem; + height: 8vh; } .page-credits .page-title { diff --git a/frontend/site/projects/museum/views/credits.js b/frontend/site/projects/museum/views/credits.js index 4e2404d..033a30a 100644 --- a/frontend/site/projects/museum/views/credits.js +++ b/frontend/site/projects/museum/views/credits.js @@ -74,19 +74,35 @@ export default class Credits extends Component { Press Releases and Image Material:
kw-berlin.de/en/press -
- - -
Charles Stankievech
The Glass Key
- Location: Cosmic Ray Research Station, Canadian Rocky Mountains (winter solstice)
- Videography & Sound design: Charles Stankievech
+ Cinematography and Soundtrack: Charles Stankievech
+ LIDAR and Ionospheric Recordings: Charles Stankievech
+ Hypercard Programming: Charles Stankievech
+ Fieldwork Recording Assistant: Ala Roushan
+
+ VR Capture thanks to Sudbury Neutrino Laboratory (SNO).
+ Sources:
+ René Magritte, The Glass Key (La clef de verre), 1959, oil on canvas.
+ Courtesy The Menil Collection, Houston.
+ René Guénon. Lord of the World, 1927 / Etudes Traditionnelles, 1938.
+ Robert Smithson. Incidents of Mirror-Travel in the Yucatan, 1969.
+ Thomas Pynchon. Against the Day, 2006.
+ Mircea Eliade. The Forge and the Crucible, 1956.
+ Clarice Lispector. The Egg and the Chicken, 1964.
+ Clarice Lispector. Agua Viva, 1973

+ Juliana Cerqueira Leite
+ Untitled
+ Location: Santa Ifigênia, São Paulo, Brasil
+ Videography & Sound design: Juliana Cerqueira Leite
+
+
+
Nora Al-Badri
This Is Not A Hacker Space
Location: C-Base, Berlin, Germany
@@ -99,12 +115,6 @@ export default class Credits extends Component { Al-Amal/ Hope Mars Mission (via YouTube)
Special thanks to the Norberta, Gregor and the spaceship crew in Berlin-Mitte; Andy and CCC.

- Juliana Cerqueira Leite
- Untitled
- Location: Santa Ifigênia, São Paulo, Brasil
- Videography & Sound design: Juliana Cerqueira Leite -
-
Zohra Opoku
The Myths of Eternal Life
Videography & Sound Design: Zohra Opoku
@@ -121,7 +131,13 @@ export default class Credits extends Component { Videography & Sound Design: Jakrawal Nilthamrong
- + +
+
+ + + +
Home -- cgit v1.2.3-70-g09d2