diff options
Diffstat (limited to 'db.json')
| -rw-r--r-- | db.json | 309 |
1 files changed, 161 insertions, 148 deletions
@@ -9,10 +9,10 @@ "tag_1": 2, "tag_2": 3, "tag_3": 4, - "tag_4": 5, - "tag_5": 9, - "tag_6": 11, - "tag_7": 12, + "tag_4": 8, + "tag_5": 11, + "tag_6": 0, + "tag_7": 0, "tag_8": 0, "images": [ { @@ -39,9 +39,9 @@ "id": "page_1", "title": "<i>Augustus and Cleopatra </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, - "tag_2": 11, + "tag_0": 4, + "tag_1": 0, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -73,8 +73,8 @@ "id": "page_2", "title": "A Newly Discovered Poussin", "type": "image", - "tag_0": 1, - "tag_1": 4, + "tag_0": 3, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -135,9 +135,9 @@ "id": "page_3", "title": "<i>Note on Mr. McCurry's Visit</i>", "type": "image", - "tag_0": 1, + "tag_0": 3, "tag_1": 4, - "tag_2": 5, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -169,9 +169,9 @@ "id": "page_4", "title": "<i>Telegram: Send Express Poussin </i>", "type": "image", - "tag_0": 1, + "tag_0": 3, "tag_1": 4, - "tag_2": 5, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -203,9 +203,9 @@ "id": "page_5", "title": "<i>Record of Work Done on Pictures </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, - "tag_2": 11, + "tag_0": 4, + "tag_1": 0, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -237,8 +237,8 @@ "id": "page_6", "title": "<i>Receiving and Shipping Picture</i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -278,8 +278,8 @@ "id": "page_7", "title": "<i>Letter to Robert H. Hubbard Requesting Photo of Label </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -312,8 +312,8 @@ "id": "page_8", "title": "<i>Letter to Denis Mahon with Polaroid Photo of Label </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -353,9 +353,9 @@ "id": "page_9", "title": "<i>Close Up of no6092 Label </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, - "tag_2": 11, + "tag_0": 4, + "tag_1": 0, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -394,8 +394,8 @@ "id": "page_10", "title": "<i>Letter to Robert H. Hubbbard </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -435,8 +435,8 @@ "id": "page_11", "title": "<i>Note on Two Paintings </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -469,8 +469,8 @@ "id": "page_12", "title": "<i>Letter to Konrad Oberhuber </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -503,8 +503,8 @@ "id": "page_13", "title": "<i>Letter to William H. Gerdts</i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -537,8 +537,8 @@ "id": "page_14", "title": "<i>Letter to Louise d'Argencourt </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -578,8 +578,8 @@ "id": "page_15", "title": "<i>Letter to Myron Laskin, Jr. </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -612,8 +612,8 @@ "id": "page_16", "title": "<i>Letter to Marilyn Lavin </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -646,8 +646,8 @@ "id": "page_17", "title": "<i>Memo: Italian School 17th Century, no6092 </i>", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -680,8 +680,8 @@ "id": "page_18", "title": "Correspondence with Konrad Oberhuber ", "type": "image", - "tag_0": 1, - "tag_1": 5, + "tag_0": 4, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -728,9 +728,9 @@ "id": "page_19", "title": "Notes on Radiographs of Five Paintings by Poussin", "type": "image", - "tag_0": 1, - "tag_1": 7, - "tag_2": 11, + "tag_0": 6, + "tag_1": 0, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -781,11 +781,10 @@ { "__index": 20, "id": "page_20", - "title": "21 Poussin: Xray", "type": "image", - "tag_0": 3, - "tag_1": 5, - "tag_2": 11, + "tag_0": 2, + "tag_1": 4, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -798,9 +797,9 @@ "id": "page_21", "title": "<i>Woman Painted at Palavas </i>", "type": "image", - "tag_0": 3, - "tag_1": 4, - "tag_2": 6, + "tag_0": 2, + "tag_1": 3, + "tag_2": 5, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -830,12 +829,11 @@ { "__index": 22, "id": "page_22", - "title": "23 Moore: Painting I", "type": "image", - "tag_0": 3, - "tag_1": 4, - "tag_2": 6, - "tag_3": 7, + "tag_0": 2, + "tag_1": 3, + "tag_2": 5, + "tag_3": 6, "tag_4": 0, "tag_5": 0, "tag_6": 0, @@ -845,12 +843,11 @@ { "__index": 23, "id": "page_23", - "title": "24 Moore: Painting II", "type": "image", - "tag_0": 3, - "tag_1": 4, - "tag_2": 6, - "tag_3": 7, + "tag_0": 2, + "tag_1": 3, + "tag_2": 5, + "tag_3": 6, "tag_4": 0, "tag_5": 0, "tag_6": 0, @@ -862,8 +859,8 @@ "id": "page_24", "title": "<i>Email RE: Toronto Courbet question (4.5.2015) </i>", "type": "image", - "tag_0": 6, - "tag_1": 11, + "tag_0": 5, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -896,8 +893,8 @@ "id": "page_25", "title": "<i>Courbet Signatures</i>", "type": "image", - "tag_0": 6, - "tag_1": 11, + "tag_0": 5, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -930,8 +927,8 @@ "id": "page_26", "title": "<i>Woman Painted at Palavas (detail) </i>", "type": "image", - "tag_0": 6, - "tag_1": 11, + "tag_0": 5, + "tag_1": 0, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -964,8 +961,8 @@ "id": "page_27", "title": "Invitation to Blunt Lecture (16.12.1965)", "type": "image", - "tag_0": 4, - "tag_1": 6, + "tag_0": 3, + "tag_1": 5, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -998,8 +995,8 @@ "id": "page_28", "title": "Letter from Sir Anthony Blunt to William J. Withrow re: Stage I opening ceremonies (8.4.1974) ", "type": "image", - "tag_0": 4, - "tag_1": 6, + "tag_0": 3, + "tag_1": 5, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -1032,9 +1029,9 @@ "id": "page_29", "title": "<i>An Apology for Poussin’s Augustus and Cleopatra: Sir Anthony Blunt’s Farewell Lecture at the Courtauld Institute of Art, 8 April 1974</i>", "type": "video", - "tag_0": 4, - "tag_1": 8, - "tag_2": 13, + "tag_0": 3, + "tag_1": 7, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -1053,7 +1050,7 @@ "author": "CHARLES STANKIEVECH", "threeObject": { "path": "data_store/30-Apology/", - "file": "textured_output.obj" + "file": "Projector.obj" } }, { @@ -1061,10 +1058,10 @@ "id": "page_30", "title": "<i>Courtauld Cocktail </i>", "type": "video", - "tag_0": 7, - "tag_1": 8, - "tag_2": 10, - "tag_3": 13, + "tag_0": 6, + "tag_1": 7, + "tag_2": 9, + "tag_3": 0, "tag_4": 0, "tag_5": 0, "tag_6": 0, @@ -1079,15 +1076,19 @@ ], "citation": "2016 <br>\nMixed Media <br>\n5 x 5 x 30cm <br>\nCourtesy the Artist <br>\n", "description": "<p>\nIn 1937 at the Courtauld Institute of Art, Stephen Rees Jones discovered that chemicals in the laboratory were being stolen to create improvised explosives to throw at fascist marches. The term ‘Molotov Cocktail’ comes from the Finnish resistance a few years later but, stemming from their use in the Spanish Civil War earlier in the decade, the British Home Guard disseminated information on how to make such guerilla weapons in case of an invasion in the impending war. One strategy utilized film strips as the fuse because, at the time, the nitrate base of film stock made it highly flammable. \n</p>\n\n", - "author": "CHARLES STANKIEVECH " + "author": "CHARLES STANKIEVECH ", + "threeObject": { + "path": "data_store/31-Cocktail/", + "file": "Charles_MoltovLowres.obj" + } }, { "__index": 31, "id": "page_31", "title": "<i>Letter to Anthony Blunt about BBC Broadcast (22.7.1938) </i>", "type": "image", - "tag_0": 4, - "tag_1": 10, + "tag_0": 3, + "tag_1": 9, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -1118,26 +1119,30 @@ { "__index": 32, "id": "page_32", - "title": "33 Stankievech: Secret Agent ", - "type": "image", - "tag_0": 8, - "tag_1": 10, - "tag_2": 13, + "type": "video", + "tag_0": 7, + "tag_1": 9, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, "tag_6": 0, "tag_7": 0, - "tag_8": 0 + "tag_8": 0, + "images": [], + "threeObject": { + "path": "data_store/33-Agent/", + "file": "Charles_Clock.obj" + } }, { "__index": 33, "id": "page_33", "title": "<i>The Criminal-King in the 19th Century Novel</i>", "type": "image", - "tag_0": 4, - "tag_1": 7, - "tag_2": 10, + "tag_0": 3, + "tag_1": 6, + "tag_2": 9, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -1183,10 +1188,10 @@ "id": "page_34", "title": "<i>Connoisseurs and Secret Agents</i> ", "type": "image", - "tag_0": 4, - "tag_1": 7, - "tag_2": 9, - "tag_3": 10, + "tag_0": 3, + "tag_1": 6, + "tag_2": 8, + "tag_3": 9, "tag_4": 0, "tag_5": 0, "tag_6": 0, @@ -1231,10 +1236,10 @@ "id": "page_35", "title": "BBC Panorama: The Queen's Gallery ", "type": "video", - "tag_0": 4, - "tag_1": 9, - "tag_2": 10, - "tag_3": 12, + "tag_0": 3, + "tag_1": 8, + "tag_2": 9, + "tag_3": 11, "tag_4": 0, "tag_5": 0, "tag_6": 0, @@ -1262,9 +1267,9 @@ "id": "page_36", "title": "<i>L'Hypothèse du tableau volé </i>", "type": "video", - "tag_0": 3, - "tag_1": 9, - "tag_2": 10, + "tag_0": 2, + "tag_1": 8, + "tag_2": 9, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -1293,9 +1298,9 @@ "id": "page_37", "title": "Mondrian 63-96 ", "type": "video", - "tag_0": 3, - "tag_1": 9, - "tag_2": 10, + "tag_0": 2, + "tag_1": 8, + "tag_2": 9, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -1324,8 +1329,8 @@ "id": "page_38", "title": "<i>The conquest of space, Atlas for the use of artists and the military </i>", "type": "video", - "tag_0": 9, - "tag_1": 10, + "tag_0": 8, + "tag_1": 9, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -1342,17 +1347,21 @@ ], "citation": "1975 <br>\nArtist Book <br>\n4.2 x 2.9 x 1 cm <br>\nPrivate Collection <br>\n", "description": "<p>\nMarcel Broodthaers was perhaps the first artist to colonize the role of the curator as an artwork, in his project <i>Museum of Eagles</i>. While maintaining his obsessions with surrealism, his work, over time, took on a role more critical of the history of European colonialism. The last artist book he made was the ridiculously small<i> The conquest of space, Atlas for the use of artists and the military</i>. \n</p>\n\n", - "author": "MARCEL BROODTHAERS " + "author": "MARCEL BROODTHAERS ", + "threeObject": { + "path": "data_store/39-Broodthaers/", + "file": "Charles_AtlasBook.obj" + } }, { "__index": 39, "id": "page_39", "title": "<i>Der Bildatlas Mnemosyne (Taflen No79)</i>", "type": "image", - "tag_0": 7, - "tag_1": 9, - "tag_2": 10, - "tag_3": 11, + "tag_0": 6, + "tag_1": 8, + "tag_2": 9, + "tag_3": 0, "tag_4": 0, "tag_5": 0, "tag_6": 0, @@ -1383,11 +1392,11 @@ "id": "page_40", "title": "Considerazioni sulla pittura ", "type": "image", - "tag_0": 2, - "tag_1": 3, - "tag_2": 9, - "tag_3": 10, - "tag_4": 11, + "tag_0": 1, + "tag_1": 2, + "tag_2": 8, + "tag_3": 9, + "tag_4": 0, "tag_5": 0, "tag_6": 0, "tag_7": 0, @@ -1417,11 +1426,11 @@ "id": "page_41", "title": "<i>Mancini's Caratteri / Warburg's Atlas</i>", "type": "image", - "tag_0": 2, - "tag_1": 8, - "tag_2": 9, - "tag_3": 11, - "tag_4": 13, + "tag_0": 1, + "tag_1": 7, + "tag_2": 8, + "tag_3": 0, + "tag_4": 0, "tag_5": 0, "tag_6": 0, "tag_7": 0, @@ -1451,9 +1460,9 @@ "id": "page_42", "title": "Letter to Nicolas-Claude Fabri De Peiresc", "type": "image", - "tag_0": 2, - "tag_1": 3, - "tag_2": 10, + "tag_0": 1, + "tag_1": 2, + "tag_2": 9, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -1492,9 +1501,9 @@ "id": "page_43", "title": "<i>The Purloined Letter</i>", "type": "image", - "tag_0": 10, + "tag_0": 9, "tag_1": 11, - "tag_2": 12, + "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -1687,11 +1696,11 @@ "id": "page_44", "title": "<i>Seminar on The Purloined Letter </i>", "type": "image", - "tag_0": 1, - "tag_1": 4, - "tag_2": 10, + "tag_0": 3, + "tag_1": 5, + "tag_2": 9, "tag_3": 11, - "tag_4": 12, + "tag_4": 0, "tag_5": 0, "tag_6": 0, "tag_7": 0, @@ -1756,8 +1765,8 @@ "id": "page_45", "title": "<i>Zinoviev Letter </i>", "type": "image", - "tag_0": 10, - "tag_1": 12, + "tag_0": 9, + "tag_1": 11, "tag_2": 0, "tag_3": 0, "tag_4": 0, @@ -1804,9 +1813,9 @@ "id": "page_46", "title": "<i>Vienna Convention On Diplomatic Relations</i>", "type": "image", - "tag_0": 2, - "tag_1": 4, - "tag_2": 12, + "tag_0": 1, + "tag_1": 3, + "tag_2": 11, "tag_3": 0, "tag_4": 0, "tag_5": 0, @@ -1851,27 +1860,31 @@ { "__index": 47, "id": "page_47", - "title": "48 Wittgenstein Key", - "type": "image", - "tag_0": 10, - "tag_1": 12, + "type": "video", + "tag_0": 9, + "tag_1": 11, "tag_2": 0, "tag_3": 0, "tag_4": 0, "tag_5": 0, "tag_6": 0, "tag_7": 0, - "tag_8": 0 + "tag_8": 0, + "images": [], + "threeObject": { + "path": "data_store/48-Wittgenstein/", + "file": "Charles_Key.obj" + } }, { "__index": 48, "id": "page_48", "title": "<i>no6092: The Purloined Letter </i>", "type": "video", - "tag_0": 1, - "tag_1": 8, - "tag_2": 12, - "tag_3": 13, + "tag_0": 7, + "tag_1": 11, + "tag_2": 0, + "tag_3": 0, "tag_4": 0, "tag_5": 0, "tag_6": 0, @@ -1899,7 +1912,7 @@ "id": "page_49", "title": "<b>The Luxembourg Freeport: The Instruction Manual </b>", "type": "image", - "tag_0": 12, + "tag_0": 11, "tag_1": 0, "tag_2": 0, "tag_3": 0, |